Quick, Robin, to the Blu-ray Box!
‘Batman,’ the 1960s TV Series, Returns in a Collection
The news arrived via a celebrity tweet.
Conan O’Brien posted in January that one of the most beloved TV series of the 1960s, an action-packed absurdist comedy about a costumed crime fighter and his youthful sidekick was finally coming to home video: “Batman,” starring Adam West and Burt Ward, would be released sometime in 2014.
For decades, nostalgic viewers like Mr. O’Brien have clamored for the show, now referred to in fan-speak as “Batman ’66.” Even a boxed set of the decade’s ultimate lemon, “My Mother the Car,” beat the Batmobile. But the wait ends Tuesday, when “Batman: The Complete Series” comes to DVD and Blu-ray with a utility belt-ful of extras like vintage screen tests.
The series needed an exhaustive remastering to bring it up to Blu-ray standards. The source material was “worn and aged,” explained Rosemary Markson, a senior vice president at Warner Bros. Home Entertainment. “There was significant graining, scratches and fading, all the things you’d expect from television footage dating back nearly half a century.”
But the reasons the Dynamic Duo took so long to come to home video are as convoluted as a Riddler conundrum.
Warner Bros., which owns the comic book giant DC Entertainment, holds the rights to the Batman character. But the TV series belongs to 20th Century Fox. The rival studios had to reach an agreement, and that wasn’t easy. The three stars of the show — Yvonne Craig joined the cast as Batgirl in Season 3 — and a handful of surviving guest stars needed to sign off on the release, the accompanying toys and new tie-in products bearing their likenesses, and agree to help with promotion. And there were producers’ estates to contend with. The last surviving architect of the show, Lorenzo Semple Jr., who created the series, died in March at 91.
The most curious factor, though, was so-called Bat-shame.
There are said to be some fans who have sought to keep this “Batman” from home video. Bruce Timm, a producer of “Batman: The Animated Series” in the 1990s, is quoted in a documentary in the “Batman” set as saying that the feeling was that the series “ruined the public’s perception of superheroes for decades.”
Purists, he said, prefer their Knight dark as pitch.
The ’60s TV show was anything but. From the get-go — two episodes featuring the impressionist Frank Gorshin as the Riddler and Jill St. John as his doomed moll — the series turned a character who began as a hard-boiled costumed detective, sneaking onto comic-book pages under cover of night in 1939, into a milk-drinking do-gooder in tights. Batman (Mr. West) sings “I’m Called Little Buttercup” in one episode, for heaven’s sake! Robin (Mr. Ward) is eaten by a giant clam in another! Zowie!
To these hard-core comic book fans, the camp sensibility — the show’s scripts were rife with double-entendres and played with the utmost sincerity — was a blight on the superhero’s legacy. It was a besmirching that took more than 20 years, dark reimaginings of the character by the comic artists Neal Adams and later Frank Miller and two Tim Burton movies to erase.
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A sneak preview of the restored “Batman ’66” was a hit at the giant San Diego Comic-Con gathering in the summer and at New York Comic Con last month. “As a senior superhero, this is wonderful,” Mr. West, 86, said in an interview.
Judging from what has been made available to the press, the remastering has restored the series with an eye-popping panache. Now, the Joker’s hair is the most vivid green. Batman’s cowl becomes a truly shocking pink when sprayed with a radioactive mist by the Mad Hatter (David Wayne). And Robin really is a red breast. The picture clarity reveals, too, that the Batsuit had nipples long before Joel Schumacher took hold of the “Batman” movie franchise in the 1990s. They’re Mr. West’s, but they’re there.
The renewed excitement surrounding “Batman” pales in comparison with the full-fledged Batmania that gripped America when the series debuted on ABC in 1966. Shown twice a week for its first two seasons, “Batman” touched off a nationwide dance trend (the Batusi), hairstyles, fan clubs and a frenzy of merchandising. In the months after the show’s premiere, Mr. West appeared on the cover of Life magazine, sat on Merv Griffin’s talk-show couch and even hosted the variety show “Hollywood Palace” in costume.
The show worked on numerous levels. Kids thought of it as an adventure series, a comic book brought to thrilling life complete with “Bam!” “Pow!” graphics splashed across the screen, but adults knew it was a sly satire. When the diabolical alchemist Dr. Cassandra, played by the film noir leading lady Ida Lupino, literally flattened Batman, Robin and Batgirl using her “Alvino Ray gun,” children had no idea that Alvino Rey was a 1940s bandleader, but their parents did. Adults also recognized the silver screen stars — Rudy Vallee, Vincent Price, Van Johnson and Shelley Winters among them — who turned up in villain-of-the-week roles.
“It was so cool to be on the show,” said Mr. Ward, 69. “Actors’ and actresses’ children would hound their parents to do it.”
Celebrities who snagged roles included Burgess Meredith (the Penguin), Cesar Romero (who refused to shave his mustache to portray the Joker), Victor Buono (King Tut), Milton Berle (Louie the Lilac), Tallulah Bankhead (Black Widow) and Liberace (Chandell). One of three actors playing Mr. Freeze was the film director Otto Preminger, with whom, Mr. West recalled, it was particularly difficult to work. During one take, Mr. West may have “accidentally” kicked a prone Preminger in the ribs to get him to cooperate.
When there weren’t enough villain roles to go around, Mr. Ward said, the producers came up with the “window cameo,” in which Sammy Davis Jr., Jerry Lewis, Dick Clark and others poked their heads out a window for a chat with Batman and Robin as they climbed up a building.
Appearing even once in a not particularly good episode of “Batman” is still an unshakable credential. “Nora Clavicle was not the high point of my career,” said Barbara Rush, 87, an actress who was known for the TV version of “Peyton Place” when she was cast as an evil feminist trying to blow up Gotham City with explosive mechanical mice. “Batman” fans recognize her on the street, she said, and “sometimes it’s as if I didn’t do anything else.”
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The credit for the show’s appeal goes to many, but without William Dozier, the producer who maintained the arch tone of the series and served as its uncredited narrator, it might not have worked.
“He talked them into this special way of tilting the camera,” said Julie Newmar, 81, who played Catwoman. “He picked up on the right things. He was brilliant. He completely understood the project. And he was very good at casting. When he picked Burt Ward, he was not an actor, but his mannerisms and voice and enthusiasm were perfect.”
Mr. Dozier, who died in 1991, is quoted in a DVD extra saying that the series’s popularity cooled quickly. “The joke was over after two or three years,” he said. “I think the public started to get a little bored with it.” Nevertheless, the series’ 120 episodes have been shown in syndication on and off ever since. (Reruns can be seen on IFC.) A cult fervor for “Batman ’66” emerged in the United States and Britain in advance of the big-screen “Batman” starring Michael Keaton and Jack Nicholson in 1989.
Given the popularity of Christopher Nolan’s bleak “Dark Knight” movie trilogy and the prequel series “Gotham” on Fox, it could be time again for what Mr. West calls “the Bright Knight” to have another moment in the spotlight.
Ms. Craig, 77, certainly thinks so. “You could get ‘I’m Dickens ... He’s Fenster’ on DVD, and that series lasted for a nanosecond on TV,” she said with a laugh. “I’m really happy they finally did this.”
http://www.nytimes.com/2014/11/09/m...s-tv-series-returns-in-a-collection.html?_r=0