Black Woman of the Day: Warsan Shire - 1st Young Poet Laureate of London & Beyonce Lemonade Maker

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Who Is Warsan Shire? 5 Things to Know About the Poet Who Inspired Beyoncé's Lemonade

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Beyoncé's Lemonade may be a visual album but it still has fans hanging on to the singer's every word – thanks in part to the award-winning poetry of 27-year-old Somali-Brit Warsan Shire.

Shire, a writer who was born in Kenya to Somali parents and raised in London, is by no means an unknown. But the prominent role her work plays in Beyoncé's headline-making album (Shire is credited with "film adaptation and poetry") has landed her in the global spotlight.

Lemonade dips into the well of Shire's previously published poems like "the unbearable weight of staying – (the end of the relationship)" for its exploration of infidelity, family and the black female identity.


"I don't know when love became elusive. What I know is: no one I know has it," Beyoncé says in a voiceover in the visual album, quoting lines directly from Shire's "the unbearable weight of staying." "My father's arms around my mother's neck, fruit too ripe to eat. I think of lovers as trees … growing to and from one another. Searching for the same light."

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So while you're playing Lemonade on loop, take some time to get to know the woman behind the words.

1. In 2014, Shire was named the first Young Poet Laureate of London.
She also had a "residency" at the Houses of Parliament and won the Brunel African Poetry Prize in 2013, NPR reports. "East African people were really proud of it, Somali people were really proud of it, and neighboring countries – like Ethiopia – they were really proud of it! It brings people to you," she said of the award in 2013.

2. The Kenyan-born Shire often explores such issues as refugees, immigration and the African diaspora in her work.
She visited her parents' native Somalia a few years ago, where she was welcomed with open arms. "Anyone I was introduced to would point to the ground and say 'dhulkaan waa dhulkaaga,' this land is your land," she said in a 2013 interview with the blog Africa Writes. On why the poetry of Somali women has not received the same level of canonization that many male poets have received, she replied simply, "Patriarchy."


3. Benedict Cumberbatch is also a fan of Shire.
Beyoncé isn't the only celebrity admirer of Shire's work. Last year, Cumberbatch starred in a video for Save the Children's Help Is Coming campaign, which supports the relief efforts for young refugees from Syria and nearby countries. He began his message with lines from Shire's poem "Home":

"No one leaves home unless home is the mouth of a shark. You only run for the border when you see your whole city running as well. You have to understand that no one puts children in a boat unless the water is safer than the land."

4. "She's not interested in being the writer of the moment," Nick Makoha, a British poet who has worked with Shire, tells The New York Times.
Shire has laid low since Lemonade made its big splash on HBO last Saturday. She broke her silence on Twitter Tuesday night, tweeting a link to the album and writing, "yosra i hope you're proud of us." Yosra El-Essawy, a friend of Shire's and Beyoncé's official tour photographer, died of cancer in 2014. The New York Times writes that El-Essawy "served as an early link between the worlds of the young British poet and Queen Bey."

5. Shire is expected to release her first full poetry collection, Extreme Girlhood, in the next year or so.
The writer has published chapbooks of poetry, including 2011's Teaching My Mother How to Give Birth and 2015's "Her Blue Body" – both of which sold out on Amazon.com within hours of Lemonade's release. But like many stars of today, Shire first established a strong following by sharing her work on Tumblr and Twitter.

http://www.people.com/article/beyonce-lemonade-meaning-lyrics-warsan-shire-poet
 

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Warsan Shire is a Somali–British writer, poet, editor and teacher. She has received the Brunel University's African Poetry Prize, chosen from a shortlist of six candidates out of a total 655 entries
 

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http://www.newyorker.com/culture/cu...ng-life-of-a-young-prolific-poet-warsan-shire

It’s a rare poet who can write movingly about African migration to Europe and also tweet humorously about the VH1 reality show “Love & Hip-Hop: Atlanta.” Every generation of writers and readers has mourned the shrinking place of poetry in our lives, and they may not be wrong. They also may not be looking in the right places. Young poets are on Tumblr and Twitter, composing affecting and funny verse as short as a hundred and forty characters and also stretching much longer. Verse that is then reblogged and retweeted by thousands of followers who see themselves reflected in the posts. Of this new genre of poets, Warsan Shire, a twenty-six-year-old Somali-British woman, is a laureate.

Shire was the actual Young Poet Laureate of London in 2014, the city’s first. Born in Kenya to parents from Somalia, Shire grew up in London, where she has always felt like an outsider, and embodies the kind of shape-shifting, culture-juggling spirit lurking in most people who can’t trace their ancestors to their country’s founding fathers, or whose ancestors look nothing like those fathers. In that limbo, Shire conjures up a new language for belonging and displacement. What she has described, in an interview, as the “surrealism of everyday immigrant life—one day you are in your country, having fun, drinking mango juice, and the next day you are in the Underground in London and your children are speaking to you in a language you don’t understand.”


Her poetry evokes longing for home, a place to call home, and is often nostalgic for memories not her own, but for those of her parents, grandparents, uncles and aunts, people who forged her idea of her ancestral homeland through their own stories. With fifty thousand Twitter followers and a similar number ofTumblr readers, Shire, more than most today, demonstrates the writing life of a young, prolific poet whose poetry or poem-like offhand thoughts will surface in one of your social media feeds and often be exactly what you needed to read, or what you didn’t know that you needed to read, at that moment.

In 2011, Shire published “Teaching My Mother How to Give Birth,” a spare collection of poems that was outsize in its sensuality, wit, and grief. She opens the book, her first, with “I have my mother’s mouth and my father’s eyes / On my face they are still together.” In “Beauty,” she tells us of someone’s older sister: “Some nights I hear in her room screaming / We play Surah Al-Baqarah to drown her out / Anything that comes from her mouth sounds like sex / Our mother has banned her from saying God’s name.” In “Your Mother’s First Kiss,” she writes, “The first boy to kiss your mother later raped women / when the war broke out. She remembers hearing this / from your uncle, then going to your bedroom and lying down on the floor. You were at school.” At the end of the poem: “Last week, she saw him driving the number 18 bus / his week a swollen drumlin, a vine scar dragging itself / across his mouth. You were with her, holding a bag of dates to your chest, heard her let out a deep moan / when she saw how much you looked like him.”

How much of the book is autobiographical is never really made clear, but beside the point. (Though Shire has said, “I either know, or I am every person I have written about, for or as. But I do imagine them in their most intimate settings.”) It’s East African storytelling and coming-of-age memoir fused into one. It’s a first-generation woman always looking backward and forward at the same time, acknowledging that to move through life without being haunted by the past lives of your forebears is impossible.

Shire has said that she is most interested in writing about people whose stories are either not told or told inaccurately, especially immigrants and refugees, and so she brings out her Dictaphone when relatives come to her with tales from their experiences so that she can record them faithfully before turning them into poetry. Her tone lightens in “Maymuun’s Mouth” and “Birds.” In those poems, Shire writes tenderly and hilariously of a Somali woman removing her body hair and “dancing in front of strangers” as she adjusts to her new life abroad, and of a girl who, with pigeon’s blood, fooled her new husband and his mother into thinking she was a virgin. Later, evoking the memories of mothers caught in the worst turmoil of Somalia’s conflicts, “In Love and in War” reads, “To my daughter I will say / ‘when the men come, set yourself on fire.’ “ The collection feels confiding, occasionally brutal, but somehow still playful.

Since “Teaching My Mother,” Warshan’s profile has only grown. In addition to the Young Poet Laureate position, she received Brunel University’s inaugural African Poetry Prize, in 2013, was chosen as Queensland, Australia’s poet in residence in 2014, and has had her work published in various literary journals and anthologies. In June, the New York Times editorial board quoted from her poem “Home” in a piece urging Western countries to give more aid and safe passage to refugees: “You have to understand / that no one puts their children in a boat / unless the water is safer than land.” The editorial ran the same month that Shire tweeted about her adoration of a “Love & Hip-Hop” star known for her wild antics (“a bit in love with joseline”), which was a month before she tweeted “fat and perfect, perfect and black, black and fat and perfect” (retweeted three hundred and eighty-two times; she has struggled with bulimia), and a few months after she cryptically tweeted “mama i made it (out of your home alive),” retweeted two hundred and seventy-four times. Periodically, I will see tweets discovering a video of her reciting her most famous and viral poem, “For Women Who Are Difficult to Love,” which has become a self-affirmation mantra for lovelorn women online.



Shire’s work, she has said, is a project of “documentation, genealogy, preserving the names of the women came before me. To connect, honor, to confront.” But it’s her documenting of the present, always coming back to the subject of love and its many tender and punishing forms, that is enthralling. The simultaneous specificity and breadth of her appeal, across gender, race, and nationality based on her self-professed fans, is remarkable, and it took me by surprise the first time I started following her online. She tweeted “my dj name is dj eldest immigrant daughter” not long ago. I favorited it immediately.
 
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I'm trying to figure out where I know this chicks name from. I could of sworn their was an artist/musician with the same name out in the 90's. This girl looks too young to be the same one. :confused:
 
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