Just looking for feedback. ..
Was Black PA there well represented?
How well do you think his solo film was set up?
Was Black PA there well represented?
How well do you think his solo film was set up?
Brethren, Cap Civil War: how do you feel they handled T'Challa? Did they do him Justice? #NoSpoiers
- Thread starter BitchI'llKillYa
- Start date
He was my favorite part of the movie.
Cool, calculated, able to fight, suit was dope.
Looking forward to his solo flick
Cool, calculated, able to fight, suit was dope.
Looking forward to his solo flick
The touch I liked about T'Challa is they made him fight and own scenes without his suit on, showing a good fighting and agility range and attaching it to his face also.
Well done!
Well done!
What he said..anyone that's finds an issue of how he was depicted is truly a negative Nancy. If they had put anymore lines or scenes for him he would've stole the entire movie...great dipction! Hate that we have to wait damn near two years to see his solo flick
T'challa for president
They did right by Black Panther in every way. From his regal posture to the non fake African accent to his fighting style,capability, strength and tech, T'Challa was one of the best aspects of the movie. Couldn't have asked for more with how they portrayed him in the movie.
I did a review if you want to check it out
http://www.bgol.us/forum/index.php?threads/civil-war-comic’s-vs-civil-war-movie-review.896010/
But I loved the depiction of BP!!!
No CAC fuckery whatsoever.
http://www.bgol.us/forum/index.php?threads/civil-war-comic’s-vs-civil-war-movie-review.896010/
But I loved the depiction of BP!!!
No CAC fuckery whatsoever.
I'm going to see it tomorrow,but from what I've been reading they did him justice
Will post after I go see this at 4pm
I like the way they played him up. As @JustChillin said, cool calculated and strategic. That one point where Cap & Iron man never knew he was there ( ambiguous on purpose because this is spoiler-free) was dope, too.
Now because my mother wouldn't let me get into Comics other than Archie and Jughead when I was growing up I don't know much about the Black Panther. I did not know his suit was Bulletproof. I love the way he was depicted and it's sad that I gotta wait 2 more years for the Black Panther film
Also, Chadwick Boseman is my age, 39. Actually, his birthday is 2 months before mine Kama he was born in November of 76 and I was born in February of the following year. I loved his accent as well it wasn't over the top
Now because my mother wouldn't let me get into Comics other than Archie and Jughead when I was growing up I don't know much about the Black Panther. I did not know his suit was Bulletproof. I love the way he was depicted and it's sad that I gotta wait 2 more years for the Black Panther film
Also, Chadwick Boseman is my age, 39. Actually, his birthday is 2 months before mine Kama he was born in November of 76 and I was born in February of the following year. I loved his accent as well it wasn't over the top
Man I saw in a ALLLLLL CAC theater in fuckin Sebastapol Ca, and I was the only person to cheer when he came on screen...
Thought they was gonna put me out lol
Definitely dope
http://www.theroot.com/articles/cul...al&utm_source=twitter.com&utm_campaign=buffer
Nate Moore, the Secret Weapon Behind Marvel’s On-Screen Blackness
Marvel’s universe grows even more diverse with Black Panther slated for a feature release in 2018. Moore is now getting his due for his behind-the-scenes influence.
BY: RONDA RACHA PENRICE
Posted: May 7 2016 9:34 AM
Nate Moore arrives for the UK film premiere ‘Captain America: Civil War’ at Vue Westfield on April 26, 2016, in London, England.
IAN GAVAN/GETTY IMAGES
Nate Moore has achieved a “marvel” feat of his own: Going from reading comics as a kid to landing as executive producer alongside Marvel mastermind Stan Lee himself for the iconic brand’s latest global smash, Captain America: Civil War.
To say that’s worlds away for a kid who grew up with a single mother, two sisters, an older brother and a love for the movies in Clovis, Calif., a mid-sized town over three hours from Los Angeles, is far from cliché. An internship with Columbia Pictures led to Moore’s first industry job as an assistant, as well as his first brush with Marvel working on Spider-Man. A little over six years ago, he officially joined the universe and has helped spread the Marvel magic to a new generation on the big screen.
The Root caught up with Moore in Atlanta and talked about his rise at Marvel and, of course, lots of Black Panther.
The Root: When you first joined Marvel, what did you do?
Nate Moore: I worked on the Marvel Writers Program. So the idea with the Writers Program was to develop all of the characters that weren’t currently on the slate. At the time they were in pre-production on Captain America I [The First Avenger] and Thor, but characters like Black Panther, Dr. Strange, Iron Fist, and Guardians of the Galaxy were in the Writers Program so I was trying to figure out ways to get those scripts into shape so that they could be made into movies.
While I was in there, I was able, with Nicole Perlman [first woman to write a Marvel film], to get Guardians of the Galaxy up to the point where we were going to make the movie, which was great, but we also needed to make Captain America 2 [The Winter Soldier] so [the producer] said, ‘Hey I know you helped to make Guardians, so will you help me with Captain America 2?’ and of course I said, ‘Yeah,’ because I’m not crazy. And so that’s how I ended up on Captain America 2 [The Winter Soldier]. Markus McFeely crafted that story, introduced the Falcon and hired Joe and Anthony Russo and that film did really well so they kept the team together for Captain America 3 and I sort of was promoted from co-producer to executive producer.
TR: Since you’ve been there, Marvel’s universe has gotten really diverse. We’ve seen Don Cheadle in Iron Man, Anthony Mackie in Captain America, Zoe Saldana in Guardians of the Galaxy and now Chadwick Boseman starring in Black Panther. Is this a coincidence?
Chadwick Boseman portrays Black Panther.
NM: I think it is a reflection of the characters [already in the comic books]. Like, for me, Captain America and the Falcon were always together so when I started Captain America: Winter Soldier, the first thing I talked to Markus McFeely about was how do we bring the Falcon into the universe because that’s a character that resonates with me. For Civil War, when we were looking for the character who could stand next to Captain America and Iron Man and feel like an equal, the first character I thought of was Black Panther because, again, for me, that was the character as a kid that I responded to. So yeah, I think it’s sort of a reflection of what I liked as a kid, and I liked black superheroes because they were a reflection of my experience.
TR: Let’s talk Black Panther.
NM: I think [Civil War] does a great job introducing the character and making him somebody you’re immediately interested in and want to know more about. The Black Panther standalone movie now gets to explore the world of Wakanda, the most technologically advanced nation in the heart of Africa, which is amazing. It’s really compelling and Black Panther has a great cast of characters around him that’s really interesting.
So it gets to be a movie that is going to be a predominantly black cast, whether it’s African American or African, on sort of the scale that you don’t get to see all the time. For us, it’s Mission Impossible; it is a globe-trotting, action-adventure movie, but with really interesting casting. Ryan Coogler, who is directing it, is super talented and I think sees this film as an opportunity not only to really entertain, but also to tackle some really interesting issues.
TR: Why is Ryan Coogler the right director?
NM: I think he’s going to tell a really great story. Just his approach to Wakanda I think is really compelling. It is both faithful to what happens in the comic, but also contemporary in a way that comics sometimes aren’t. His ideas for casting are really cool. His ideas for action are really cool. We are officially in pre-production [in May] so it’s happening and it’s really exciting and he’s co-writing it with a writer named Joe Robert Cole.
TR: Isn’t he black and didn’t he write and co-produce on The People v. O.J. Simpson?
NM: Yeah. I think he ended up writing three episodes for that show and he came out of our Marvel Writers Program. He’s super talented as well. It’s interesting because he spent a lot of time in the Bay [Area] so they have some interesting shared history and I think together they are coming up with some really cool ideas.
TR: So what makes Chadwick Boseman, whom we know as Jackie Robinson from 42 and James Brown in Get on Up, Black Panther?
NM: There’s such a gravitas to his performance. Even on set I think the other actors were sort of surprised because Marvel films, when we’re filming, are actually really fun and everyone’s kind of playful. Chadwick is very serious and sort of has this bearing that forces you to pay attention and also kind of forces you to not joke around so much because he’s so good, even in stillness. Like even when he’s not saying anything everybody just sort of can’t help but look at him. So, in the film, I think you really feel that. You feel that everyone else goes, ‘Oh I have to take that guy seriously.’ And he moves on the screen in a way that’s really amazing.
When we cast him, the truth is we had only really seen 42. I always remember the scene in the tunnel where he loses it and he can only do it in private and we were like that kind of strength is something we want this character to have. And he’s also a chameleon because, when you look at all those movies, he’s so different. Jackie Robinson is so different from his James Brown and I think will be much different I’m sure than his Thurgood Marshall.
TR: How have audiences responded to Black Panther so far?
NM: Now that the film is out, the response to Panther is so strong because we took the time to do it right ... Now we can just tell a really good story for Black Panther and they’re going to come to that too.
Captain America: Civil War is in theatres now. Black Panther is slated for a 2018 release.
Nate Moore, the Secret Weapon Behind Marvel’s On-Screen Blackness
Marvel’s universe grows even more diverse with Black Panther slated for a feature release in 2018. Moore is now getting his due for his behind-the-scenes influence.
BY: RONDA RACHA PENRICE
Posted: May 7 2016 9:34 AM
Nate Moore arrives for the UK film premiere ‘Captain America: Civil War’ at Vue Westfield on April 26, 2016, in London, England.
IAN GAVAN/GETTY IMAGES
Nate Moore has achieved a “marvel” feat of his own: Going from reading comics as a kid to landing as executive producer alongside Marvel mastermind Stan Lee himself for the iconic brand’s latest global smash, Captain America: Civil War.
To say that’s worlds away for a kid who grew up with a single mother, two sisters, an older brother and a love for the movies in Clovis, Calif., a mid-sized town over three hours from Los Angeles, is far from cliché. An internship with Columbia Pictures led to Moore’s first industry job as an assistant, as well as his first brush with Marvel working on Spider-Man. A little over six years ago, he officially joined the universe and has helped spread the Marvel magic to a new generation on the big screen.
The Root caught up with Moore in Atlanta and talked about his rise at Marvel and, of course, lots of Black Panther.
The Root: When you first joined Marvel, what did you do?
Nate Moore: I worked on the Marvel Writers Program. So the idea with the Writers Program was to develop all of the characters that weren’t currently on the slate. At the time they were in pre-production on Captain America I [The First Avenger] and Thor, but characters like Black Panther, Dr. Strange, Iron Fist, and Guardians of the Galaxy were in the Writers Program so I was trying to figure out ways to get those scripts into shape so that they could be made into movies.
While I was in there, I was able, with Nicole Perlman [first woman to write a Marvel film], to get Guardians of the Galaxy up to the point where we were going to make the movie, which was great, but we also needed to make Captain America 2 [The Winter Soldier] so [the producer] said, ‘Hey I know you helped to make Guardians, so will you help me with Captain America 2?’ and of course I said, ‘Yeah,’ because I’m not crazy. And so that’s how I ended up on Captain America 2 [The Winter Soldier]. Markus McFeely crafted that story, introduced the Falcon and hired Joe and Anthony Russo and that film did really well so they kept the team together for Captain America 3 and I sort of was promoted from co-producer to executive producer.
TR: Since you’ve been there, Marvel’s universe has gotten really diverse. We’ve seen Don Cheadle in Iron Man, Anthony Mackie in Captain America, Zoe Saldana in Guardians of the Galaxy and now Chadwick Boseman starring in Black Panther. Is this a coincidence?
Chadwick Boseman portrays Black Panther.
NM: I think it is a reflection of the characters [already in the comic books]. Like, for me, Captain America and the Falcon were always together so when I started Captain America: Winter Soldier, the first thing I talked to Markus McFeely about was how do we bring the Falcon into the universe because that’s a character that resonates with me. For Civil War, when we were looking for the character who could stand next to Captain America and Iron Man and feel like an equal, the first character I thought of was Black Panther because, again, for me, that was the character as a kid that I responded to. So yeah, I think it’s sort of a reflection of what I liked as a kid, and I liked black superheroes because they were a reflection of my experience.
TR: Let’s talk Black Panther.
NM: I think [Civil War] does a great job introducing the character and making him somebody you’re immediately interested in and want to know more about. The Black Panther standalone movie now gets to explore the world of Wakanda, the most technologically advanced nation in the heart of Africa, which is amazing. It’s really compelling and Black Panther has a great cast of characters around him that’s really interesting.
So it gets to be a movie that is going to be a predominantly black cast, whether it’s African American or African, on sort of the scale that you don’t get to see all the time. For us, it’s Mission Impossible; it is a globe-trotting, action-adventure movie, but with really interesting casting. Ryan Coogler, who is directing it, is super talented and I think sees this film as an opportunity not only to really entertain, but also to tackle some really interesting issues.
TR: Why is Ryan Coogler the right director?
NM: I think he’s going to tell a really great story. Just his approach to Wakanda I think is really compelling. It is both faithful to what happens in the comic, but also contemporary in a way that comics sometimes aren’t. His ideas for casting are really cool. His ideas for action are really cool. We are officially in pre-production [in May] so it’s happening and it’s really exciting and he’s co-writing it with a writer named Joe Robert Cole.
TR: Isn’t he black and didn’t he write and co-produce on The People v. O.J. Simpson?
NM: Yeah. I think he ended up writing three episodes for that show and he came out of our Marvel Writers Program. He’s super talented as well. It’s interesting because he spent a lot of time in the Bay [Area] so they have some interesting shared history and I think together they are coming up with some really cool ideas.
TR: So what makes Chadwick Boseman, whom we know as Jackie Robinson from 42 and James Brown in Get on Up, Black Panther?
NM: There’s such a gravitas to his performance. Even on set I think the other actors were sort of surprised because Marvel films, when we’re filming, are actually really fun and everyone’s kind of playful. Chadwick is very serious and sort of has this bearing that forces you to pay attention and also kind of forces you to not joke around so much because he’s so good, even in stillness. Like even when he’s not saying anything everybody just sort of can’t help but look at him. So, in the film, I think you really feel that. You feel that everyone else goes, ‘Oh I have to take that guy seriously.’ And he moves on the screen in a way that’s really amazing.
When we cast him, the truth is we had only really seen 42. I always remember the scene in the tunnel where he loses it and he can only do it in private and we were like that kind of strength is something we want this character to have. And he’s also a chameleon because, when you look at all those movies, he’s so different. Jackie Robinson is so different from his James Brown and I think will be much different I’m sure than his Thurgood Marshall.
TR: How have audiences responded to Black Panther so far?
NM: Now that the film is out, the response to Panther is so strong because we took the time to do it right ... Now we can just tell a really good story for Black Panther and they’re going to come to that too.
Captain America: Civil War is in theatres now. Black Panther is slated for a 2018 release.
They did just fine.
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For the Colin afflicted just wanted to highlight this portion:
Civil War does a great job introducing the character and making him somebody you’re immediately interested in and want to know more about.
The Black Panther standalone movie now gets to explore the world of Wakanda, the most technologically advanced nation in the heart of Africa, which is amazing. It’s really compelling and Black Panther has a great cast of characters around him that’s really interesting.
So it gets to be a movie that is going to be a predominantly black cast, whether it’s African American or African, on sort of the scale that you don’t get to see all the time. For us, it’s Mission Impossible; it is a globe-trotting, action-adventure movie, but with really interesting casting. Ryan Coogler, who is directing it, is super talented and I think sees this film as an opportunity not only to really entertain, but also to tackle some really interesting issues.
Civil War does a great job introducing the character and making him somebody you’re immediately interested in and want to know more about.
The Black Panther standalone movie now gets to explore the world of Wakanda, the most technologically advanced nation in the heart of Africa, which is amazing. It’s really compelling and Black Panther has a great cast of characters around him that’s really interesting.
So it gets to be a movie that is going to be a predominantly black cast, whether it’s African American or African, on sort of the scale that you don’t get to see all the time. For us, it’s Mission Impossible; it is a globe-trotting, action-adventure movie, but with really interesting casting. Ryan Coogler, who is directing it, is super talented and I think sees this film as an opportunity not only to really entertain, but also to tackle some really interesting issues.
There was growth in his character. My only issue is that they only gave us a glimpse of wakanda. In the comics, who is black panthers enemy? Who did he cut his teeth fighting against?
But yes, they depicted him fine.
I wanted to see the bald headed chick fight agent romanoff.
But yes, they depicted him fine.
I wanted to see the bald headed chick fight agent romanoff.
Why would they do all of this in a Captain America movie?
Agreed like the article point I just highlighted, by them introducing him in civil war, the stand alone can be all Wakanda and all black cast!!!!!!!!!
Awesome.
Dignified and demanded and got respect.
Also liked how he was the who refused to be manipulated and made a fool of like other Avengers were.
My favorite line from him was probably... "The living are not done with you yet."
Fucking awesome depiction. Chad did his thing man.
Dignified and demanded and got respect.
Also liked how he was the who refused to be manipulated and made a fool of like other Avengers were.
My favorite line from him was probably... "The living are not done with you yet."
Fucking awesome depiction. Chad did his thing man.
Was this a captain America movie? I thought this was Marvels Valentine's Day romantic comedy movie where every actor has a line.
This was an iron man movie. It was also a black panther movie.
From i recall he is usually with the claw.
The smugler who lost his hand in age of ultron
BP was done right in my opinion.
It's not "The Claw"....it's simply just Klaw.
I like that tall ass African Goddess that told Black Widow "Move or be moved" I was like Awwwww shit! That body was off the hook!!
Then shortly after BP told Widow, "I have considerable resources"
I knew my money was well spent at that very point.
Then shortly after BP told Widow, "I have considerable resources"
I knew my money was well spent at that very point.
If I had a son, this would be a no brainier! The new spider suit is ill too though!
