Movie News: Ryan Coogler & Michael B. Jordan - SINNERS - jim crow era vampire flick (SPOILERS OPEN!!!)

playahaitian said:
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damn right
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Please don't let this be A.I..
 
playahaitian said:
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This was great! It was an excellent breakdown on film formats as well as audio formats and how they are viewed.

BUT...
He left out a couple of formats in which his film will be viewed...

CAM. Cam is a format in which a mfka takes a camera into the theater and records that shit. This format is usually recorded at 60fps and comes in a variety of low qualities, depending on the difficulty of the camera setup after smuggling it in. It may have people walking in front of the image as well as talking noise from the audience. The audio quality is usually equivalent to that of a bass-boosted transistor radio or it may sound like you are listening to it through your phone's speakers. CAMs almost never have end credits or end credit scenes.

Telesync. Telesync is a format very similar to CAM but is cleaner or color-boosted with some filtering (saturation) done to the image and sound to attempt to enhance it. Telesync is sometimes a combination of two or more CAMs where the best-shot parts are taken and spliced between the two. Telesyncs often include the end credit scenes and appear similar to a low budget Netflix movie in quality. The video is usually treated through Adobe Premiere Pro, Blackmagic Resolve and sometimes even After Effects to enhance the quality of the bullshit CAMs that it spawned from. The audio is usually EQ'd and run through compressors in an attempt to make it at least listenable. Aspect ratios will vary from all the wanna-be film editors online giving the CAMs "treatments" and mileage will vary. Better than a CAM...but not by much.
Most of you broke ass kniggas will be watching a streamed CAM bootleg because you know your asses ain't going to the theater to see it unless your old lady forces you to (and with twin Michael B. Jordans, she probably will) or unless you still got that guest re-admit pass from that time when the movie stopped in your wack ass theater and they had to give them to you because the projectionist fucked up.

A more patient mfka will wait for the telesync.

I'm going to a screening tonight. Maybe I'll report back and give thoughts.
Support black cinema and let that bootleg slide this time.
 
MistaPhantastic said:
This was great! It was an excellent breakdown on film formats as well as audio formats and how they are viewed.

BUT...
He left out a couple of formats in which his film will be viewed...

CAM. Cam is a format in which a mfka takes a camera into the theater and records that shit. This format is usually recorded at 60fps and comes in a variety of low qualities, depending on the difficulty of the camera setup after smuggling it in. It may have pople walking in front of the image as well as talking noise from the audience. The audio quality is usually equivalent to that of a bass-boosted transistor radio or it may sound like you are listening to it through your phone's speakers. CAMs almost never have end credits or end credit scenes.

Telesync. Telesync is a format very similar to CAM but is cleaner or color-boosted with some filtering (saturation) done to the image and sound to attempt to enhance it. Telesync is sometimes a combination of two or more CAMs where the best-shot parts are taken and spliced between the two. Telesyncs often include the end credit scenes and appear similar to a low budget Netflix movie in quality. The video is usually treated through Adobe Premiere Pro, Blackmagic Resolve and sometimes even After Effects to enhance the quality of the bullshit CAMs that it spawned from. The audio is usually EQ'd and run through compressors in an attempt to make it at least listenable.
Most of you broke ass kniggas will be watching a streamed CAM bootleg because you know your asses ain't going to the theater to see it unless your old lady forces you to (and with twin Michael B. Jordans, she probably will) or unless you still got that guest re-admit pass from that time when the movie stopped in your wack ass theater and they had to give them to you because the projectionist fucked up.

A more patient mfka will wait for he telesync.

I'm going to a screening tonight. Maybe I'll report back and give thoughts.
Support black cinema and let that bootleg slide this time.
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POST of the DAY

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@jawnswoop @tallblacknyc
 
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