The Questlove-directed documentary about 'SNL' musical performances airs on NBC on Jan. 27.

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Ahmir K. Thompson (born January 20, 1971), known professionally as Questlove (stylized as ?uestlove), is an American drummer, record producer, disc jockey, filmmaker, music journalist, and actor. He is the drummer and joint frontman (with Black Thought) for the hip-hop band the Roots. The Roots have been the in-house band for The Tonight Show Starring Jimmy Fallon since 2014, after having fulfilled the same role on Late Night with Jimmy Fallon. Questlove is also one of the producers of the 2015 cast album of the Broadway musical Hamilton. He has also co-founded of the websites Okayplayer and OkayAfrica.[2] He joined Clive Davis Institute of Recorded Music at New York University as an adjunct professor in 2016,[3] and hosts the podcast Questlove Supreme.

Questlove has produced recordings for artists including Elvis Costello, Common, D'Angelo, Jill Scott, Erykah Badu, Bilal, Jay-Z, Nikka Costa, Booker T. Jones, Al Green, and John Legend. He has been a member of the Soulquarians, the Randy Watson Experience, the Soultronics, the Grand Negaz and the Grand Wizzards. As an author, he has written four books. Questlove is the recipient of many accolades, including an Academy Award,[4] six Grammy Awards[5] and a BAFTA Award.[6]
 

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Summer of Soul (...or, When the Revolution Could Not Be Televised) is a 2021 American independent[3][4] documentary film about the 1969 Harlem Cultural Festival, directed by Ahmir "Questlove" Thompson in his directorial debut.[5][6] It had its world premiere at the 2021 Sundance Film Festival on January 28, 2021, where it won the Grand Jury Prize and Audience Award in the documentary categories. It had a limited theatrical release in the U.S. by Searchlight Pictures on June 25, 2021, before expanding and being released for streaming on Hulu the next weekend.

The second half of the movie's title is taken from the 1970 poem and song "The Revolution Will Not Be Televised", written by the late Gil Scott-Heron. It offered a sharp and satirical critique of the media's lack of coverage of civil rights activism and the reality of change and revolution taking place in the streets and on campuses across America. Both the song and phrase became an anthem of political change during the 1960s.[citation needed]

The film received acclaim from critics, with particular praise given to the restoration of the footage used. It won numerous awards, including Best Documentary Feature at the 6th Critics' Choice Documentary Awards, where it won in all six categories in which it was nominated, Best Documentary at the 75th British Academy Film Awards, Best Documentary Feature at the 94th Academy Awards,[7][8] and Best Music Film at the 64th Annual Grammy Awards. It has been considered one of the best films of the 21st century.[9][10]
 
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