Music Debate: Full 100 Best Albums Roundtable with Nile Rodgers & Maggie Rogers | Apple Music
- Thread starter playahaitian
- Start date
before yall get started....
this isnt a hip hop/rap list
this is a music in general list
this isnt a hip hop/rap list
this is a music in general list
I ain't as mad as this list as I've been with some other ones...
I don't get "Blonde" being in the top 10...Channel orange was the better album IMO. I also like "TPAB" better than GKMC but it's all subjective.
I would've had Purple rain, Songs in the Key of Life, Thriller, Miseducation in the top 5
I don't get "Blonde" being in the top 10...Channel orange was the better album IMO. I also like "TPAB" better than GKMC but it's all subjective.
I would've had Purple rain, Songs in the Key of Life, Thriller, Miseducation in the top 5
All this
Apple Music 100 Best Albums
Welcome to 100 Best Albums, our definitive list of the greatest albums ever made. Sign up to stream full tracks or add these albums to your library.
100best.music.apple.com
Apple Music reveals top 10 albums of all time on 100 Best list
Apple Music’s 100 Best Albums list culminates today with the reveal of the top 10 albums and “The Miseducation of Lauryn Hill” crowned No. 1.
www.apple.com
10. Lemonade (2016), Beyoncé
Beyoncé’s genre-obliterating blockbuster sixth album is furious, defiant, anguished, vulnerable, experimental, muscular, triumphant, humorous, and brave — a vivid personal statement, released without warning in a time of public scrutiny and private suffering. Every second of Lemonade deserves to be studied and celebrated.
Nile Rodgers (NR): This album was so monumental. And I say this with a huge amount of respect because I know what it takes to achieve what she did here.
Zane Lowe (ZL): It was massive. Groundbreaking. It was the first time I feel that an artist of that magnitude, with that much attention on them, decided to take the narrative and really try to control it and share what they wanted to share.
Maggie Rogers (MR): I was in college when this record came out, and I remember hitting play on my laptop in my apartment, like my fifth-floor walkup in the East Village, and it was the first time I skipped class because I was halfway through and I was like, I’m not leaving. I have to be here today… What I hear more than anything is her power and the way it’s coupled with her vulnerability. There is such an exposition of female power on this record.
9. Nevermind (1991), Nirvana
Nevermind and its opening salvo “Smells Like Teen Spirit” didn’t just mark an unlikely breakthrough for the Seattle trio, it upended popular culture in ways never before and never since. Punk became pop, grunge became global vernacular, industry walls broke into rubble, and lead vocalist Kurt Cobain was anointed the reluctant voice of a generation in need of catharsis — all seemingly overnight.
ZL: When this album came out, it made everyone who heard it and connected to it feel like we finally had a band, a real band that was ours. And all the things we liked that seemed disconnected and seemed out of place and were not being taken seriously — it was like oh, you’re taking us seriously now.
MR: The vulnerability of this record, coupled with the intensity of the way it sounded and the cultural moment that it bled into, touched something.
Ebro Darden (ED): They wanted to be great. They wanted to write great songs. They wanted to give us all of the feels, right? It felt real.
8. Back to Black (2006), Amy Winehouse
Amy Winehouse’s presentation and otherworldly, timeless vocals make her music feel different — not so much an attempt to re-create the past as to honor the music she loved while still being true to the trash-talking, self-effacing millennial she was. The sound of Back to Black might appeal to retro-soul fans and jazz classicists, but the attitude is closer to rap. Yes, she was funny. But she wasn’t kidding.
ZL: This is just heartbreak for 35 minutes. Unrequited, painful heartbreak made at times for the dance floor, at times to sing along to, at times to sway to — don’t let the joy of the music get it twisted. The songwriting is coming from a very painful place.
ED: Right from the beginning, I felt like her voice was delivered to us from another time. Like her vocal styling and what she was doing was timeless in a way.
MR: So many times when I hear an artist try and reference something in the past, I’m always like, I would kind of just rather have the original thing… But Amy Winehouse did it in a way that actually took all that tradition and then added something to it and moved it forward.
7. good kid, m.A.A.d city (2012), Kendrick Lamar
Kendrick Lamar’s sophomore album good kid, m.A.A.d city is one of the defining hip-hop records of the 21st century. West Coast hip-hop elders like Snoop Dogg and Dr. Dre anointed Lamar to carry on the legacy of gangsta rap, and the legacy of this album is a crucial example of American storytelling that established the future Pulitzer Prize winner as perhaps his generation’s most accomplished writer.
ZL: This is one of the most beautifully curated, created, structured, and track-listed albums of the modern era.
ED: Compton just had delivered so much hip-hop that there was a lot of pressure on this kid. The ability to deliver stories, bars, energy, performance on recorded material… He delivered on a Black consciousness that you don’t always get in hip-hop. And that’s why I’m really proud of the fact that it ranks where it does on this list.
6. Songs in the Key of Life (1976), Stevie Wonder
In 1974, Stevie Wonder was the most critically revered pop star in the world; he was also considering leaving the music industry altogether. So when Songs in the Key of Life was released two years later, demand was so high that it became, at the time, the fastest-selling album in history. The album, which runs nearly 90 minutes, is effortlessly melodic, broad in scope, and deeply personal. Sonically, culturally, and emotionally, Songs in the Key of Life is much more than a gigantic collection of songs — it forms an entire worldview.
NR: For me, no matter what instrument he’s playing, he sort of speaks with the same voice. It’s a real unique gift. His singing, his harmonica playing, his keyboard playing all sounds like Stevie Wonder.
ZL: It’s iconic. He still continues to have such an enormous presence and influence on artists today, young and established.
MR: Songs in the Key of Life just exists as this unbelievable piece of art. I can’t imagine a world that doesn’t have this record in it.
5. Blonde (2016), Frank Ocean
Though Blonde packs 17 tracks into one quick hour, it’s a sprawling palette of ideas, a testament to the intelligence of flying one’s own artistic freak flag and trusting that audiences will meet them where they’re at. They did. And Ocean established himself as a generational artist uniquely suited to the complexities and convulsive changes of the second decade of the 21st century.
ZL: It is music put on canvas. I look at the canvas through different light at different times of the day, depending on how I feel. And I see strokes of color I never saw before or even knew existed. There’s so many layers and thoughts and emotions and hooks and ideas that all somehow make sense differently every single time.
MR: This record feels like smoke rising, it is so delicate and so unpredictable and so precise.
4. Purple Rain (1984), Prince & The Revolution
With half its track list comprising top 10 singles, this soundtrack is what truly turned Prince Rogers Nelson into one of the most instantly recognizable and distinctive pop artists ever. Prince often drew comparisons to Jimi Hendrix for the way he mixed music that felt Black and white, sacred and profane. The reality is that he had no precedent then and no comparison now.
ED: Prince is my favorite artist of all time. Without a doubt. You could point to everything that he does. He actually plays the instruments. He actually writes the song. He’s actually singing on stage. He’s actually doing his own art direction. He did his own fashion design. That was all him.
NR: When you think about artists who’ve had such a major impact on your life — my relationship with Prince was a very peculiar one because we were so regular, which is hard to say because he’s so irregular; he’s so abnormal. But the music, the film, just everything around this record was just so amazing. And it just put me in such a place of respect and happiness. And just like, man, not only you’re keeping the tradition alive, but you’re taking us to another level. I was just so proud to be in the world the same time he was in the world.
3. Abbey Road (1969), The Beatles
The Beatles’ Abbey Road is an ageless, unmatched collection of songs by a world-changing band at their creative peak. The band’s 11th and penultimate album sounds like nothing more or less than four extremely gifted humans playing one indelible song after another in the same room together.
MR: There is something so special about making music where you have a song that is describing some of the greatest human pain or sorrow next to a song that you would happily play for your 3-year-old, next to one of the greatest love songs… It’s timeless, but not just in the way that it will last forever, but in the way that there’s something for every moment of humanity and every human feeling on this record. It’s for people of every age.
NR: There’s something about the Beatles that’s always really magical to me. Believe it or not, the first song I ever actually learned to play on guitar was a Beatles song. I knew at that moment that I was going to be a guitar player. Prior to that, I played the clarinet.
ZL: The amount of songs that have stayed with people as they’ve lived their lives to a point… played at anniversaries, weddings, funerals, fall in love to, broken up to. There are lots of songbooks that speak to many times in life. I think The Beatles have the songbook of life.
2. Thriller (1982), Michael Jackson
There are few pop albums, or even works of art, that denote a wholesale shift in time and space the way Michael Jackson’s Thriller did in 1982. It did nothing less than define the modern pop blockbuster and redefine the scope and reach of music. Seven of its nine original cuts were top 10 singles, and it became one of the bestselling albums ever made.
ZL: Not only did it outsell everything in its opening year, it outsold everything in its second year. It changed the way people approached making music, releasing music, distributing, marketing music, and no one ever caught up to it. It set the bar so high.
NR: When Michael dropped this record, to me, the world changed. It was a seismic shift. Having a Black artist do a music video on the level of “Thriller” just changed the world.
1. The Miseducation of Lauryn Hill (1998), Lauryn Hill
Lauryn Hill’s debut — and only — solo studio album was a seismic event in 1998: a stunningly raw, profound look into the spiritual landscape not just of one of the era’s biggest stars, but of the era itself. She was, and remains, a once-in-a-generation talent whose inspiration and innovation can be heard through the decades. Artists exhaust long discographies hoping for a cohesive piece of work resonant enough to reshape culture and inscribe its creator into the pantheon; Lauryn Hill did it in one.
ZL: This album doesn’t just resonate with the people who were around when it came out and who hold it dear. It has not dated, not even a fraction. In fact, it feels more fresh and more relevant the more you listen to it… There are a lot of young artists hearing it, and it’s becoming part of their artistic DNA. It’s inspiring and influencing them… It’s timeless.
MR: Lauryn brought everybody with her on this record. She brought her community. She brought her friends and her family. You’re in the kitchen; you’re in the living room with her. You hear people; you hear the voices talking… It’s so open and so expansive and so direct… To have an artist like Lauryn Hill be the number one, that means a lot.
ED: It’s very personal. This album delivers on so many levels. It exemplifies and captures popular music of the last 25 years, holistically. It’s R&B, it’s hip-hop, it’s independent women, strong women, it’s topical, it’s sampling… I think that’s why it got voted number one.
NR: She’s amazing. This record is amazing.
Watch the full roundtable conversation with Nile Rodgers, Maggie Rogers, Zane Lowe, and Ebro Darden at music.apple.com.
As an additional gift to music fans, Apple Music created 100 audio vignettes telling the story of each album and contextualizing its significance and position on the list. Written by a team of music experts and edited by award-winning audio editors, these vignettes are sonic companions to Apple Music’s 100 Best Albums. Listen to the stories behind each of the albums and more on Apple Podcasts at apple.co/100BestRadio.
Music lovers can also access 100 Best Albums special content across the Apple ecosystem on the App Store, Apple News, Apple Retail, apple.com, and more. Additionally, they can explore a 100 Best Albums dedicated space on Apple Books, which celebrates titles by and about artists from the list.
Beyoncé’s genre-obliterating blockbuster sixth album is furious, defiant, anguished, vulnerable, experimental, muscular, triumphant, humorous, and brave — a vivid personal statement, released without warning in a time of public scrutiny and private suffering. Every second of Lemonade deserves to be studied and celebrated.
Nile Rodgers (NR): This album was so monumental. And I say this with a huge amount of respect because I know what it takes to achieve what she did here.
Zane Lowe (ZL): It was massive. Groundbreaking. It was the first time I feel that an artist of that magnitude, with that much attention on them, decided to take the narrative and really try to control it and share what they wanted to share.
Maggie Rogers (MR): I was in college when this record came out, and I remember hitting play on my laptop in my apartment, like my fifth-floor walkup in the East Village, and it was the first time I skipped class because I was halfway through and I was like, I’m not leaving. I have to be here today… What I hear more than anything is her power and the way it’s coupled with her vulnerability. There is such an exposition of female power on this record.
9. Nevermind (1991), Nirvana
Nevermind and its opening salvo “Smells Like Teen Spirit” didn’t just mark an unlikely breakthrough for the Seattle trio, it upended popular culture in ways never before and never since. Punk became pop, grunge became global vernacular, industry walls broke into rubble, and lead vocalist Kurt Cobain was anointed the reluctant voice of a generation in need of catharsis — all seemingly overnight.
ZL: When this album came out, it made everyone who heard it and connected to it feel like we finally had a band, a real band that was ours. And all the things we liked that seemed disconnected and seemed out of place and were not being taken seriously — it was like oh, you’re taking us seriously now.
MR: The vulnerability of this record, coupled with the intensity of the way it sounded and the cultural moment that it bled into, touched something.
Ebro Darden (ED): They wanted to be great. They wanted to write great songs. They wanted to give us all of the feels, right? It felt real.
8. Back to Black (2006), Amy Winehouse
Amy Winehouse’s presentation and otherworldly, timeless vocals make her music feel different — not so much an attempt to re-create the past as to honor the music she loved while still being true to the trash-talking, self-effacing millennial she was. The sound of Back to Black might appeal to retro-soul fans and jazz classicists, but the attitude is closer to rap. Yes, she was funny. But she wasn’t kidding.
ZL: This is just heartbreak for 35 minutes. Unrequited, painful heartbreak made at times for the dance floor, at times to sing along to, at times to sway to — don’t let the joy of the music get it twisted. The songwriting is coming from a very painful place.
ED: Right from the beginning, I felt like her voice was delivered to us from another time. Like her vocal styling and what she was doing was timeless in a way.
MR: So many times when I hear an artist try and reference something in the past, I’m always like, I would kind of just rather have the original thing… But Amy Winehouse did it in a way that actually took all that tradition and then added something to it and moved it forward.
7. good kid, m.A.A.d city (2012), Kendrick Lamar
Kendrick Lamar’s sophomore album good kid, m.A.A.d city is one of the defining hip-hop records of the 21st century. West Coast hip-hop elders like Snoop Dogg and Dr. Dre anointed Lamar to carry on the legacy of gangsta rap, and the legacy of this album is a crucial example of American storytelling that established the future Pulitzer Prize winner as perhaps his generation’s most accomplished writer.
ZL: This is one of the most beautifully curated, created, structured, and track-listed albums of the modern era.
ED: Compton just had delivered so much hip-hop that there was a lot of pressure on this kid. The ability to deliver stories, bars, energy, performance on recorded material… He delivered on a Black consciousness that you don’t always get in hip-hop. And that’s why I’m really proud of the fact that it ranks where it does on this list.
6. Songs in the Key of Life (1976), Stevie Wonder
In 1974, Stevie Wonder was the most critically revered pop star in the world; he was also considering leaving the music industry altogether. So when Songs in the Key of Life was released two years later, demand was so high that it became, at the time, the fastest-selling album in history. The album, which runs nearly 90 minutes, is effortlessly melodic, broad in scope, and deeply personal. Sonically, culturally, and emotionally, Songs in the Key of Life is much more than a gigantic collection of songs — it forms an entire worldview.
NR: For me, no matter what instrument he’s playing, he sort of speaks with the same voice. It’s a real unique gift. His singing, his harmonica playing, his keyboard playing all sounds like Stevie Wonder.
ZL: It’s iconic. He still continues to have such an enormous presence and influence on artists today, young and established.
MR: Songs in the Key of Life just exists as this unbelievable piece of art. I can’t imagine a world that doesn’t have this record in it.
5. Blonde (2016), Frank Ocean
Though Blonde packs 17 tracks into one quick hour, it’s a sprawling palette of ideas, a testament to the intelligence of flying one’s own artistic freak flag and trusting that audiences will meet them where they’re at. They did. And Ocean established himself as a generational artist uniquely suited to the complexities and convulsive changes of the second decade of the 21st century.
ZL: It is music put on canvas. I look at the canvas through different light at different times of the day, depending on how I feel. And I see strokes of color I never saw before or even knew existed. There’s so many layers and thoughts and emotions and hooks and ideas that all somehow make sense differently every single time.
MR: This record feels like smoke rising, it is so delicate and so unpredictable and so precise.
4. Purple Rain (1984), Prince & The Revolution
With half its track list comprising top 10 singles, this soundtrack is what truly turned Prince Rogers Nelson into one of the most instantly recognizable and distinctive pop artists ever. Prince often drew comparisons to Jimi Hendrix for the way he mixed music that felt Black and white, sacred and profane. The reality is that he had no precedent then and no comparison now.
ED: Prince is my favorite artist of all time. Without a doubt. You could point to everything that he does. He actually plays the instruments. He actually writes the song. He’s actually singing on stage. He’s actually doing his own art direction. He did his own fashion design. That was all him.
NR: When you think about artists who’ve had such a major impact on your life — my relationship with Prince was a very peculiar one because we were so regular, which is hard to say because he’s so irregular; he’s so abnormal. But the music, the film, just everything around this record was just so amazing. And it just put me in such a place of respect and happiness. And just like, man, not only you’re keeping the tradition alive, but you’re taking us to another level. I was just so proud to be in the world the same time he was in the world.
3. Abbey Road (1969), The Beatles
The Beatles’ Abbey Road is an ageless, unmatched collection of songs by a world-changing band at their creative peak. The band’s 11th and penultimate album sounds like nothing more or less than four extremely gifted humans playing one indelible song after another in the same room together.
MR: There is something so special about making music where you have a song that is describing some of the greatest human pain or sorrow next to a song that you would happily play for your 3-year-old, next to one of the greatest love songs… It’s timeless, but not just in the way that it will last forever, but in the way that there’s something for every moment of humanity and every human feeling on this record. It’s for people of every age.
NR: There’s something about the Beatles that’s always really magical to me. Believe it or not, the first song I ever actually learned to play on guitar was a Beatles song. I knew at that moment that I was going to be a guitar player. Prior to that, I played the clarinet.
ZL: The amount of songs that have stayed with people as they’ve lived their lives to a point… played at anniversaries, weddings, funerals, fall in love to, broken up to. There are lots of songbooks that speak to many times in life. I think The Beatles have the songbook of life.
2. Thriller (1982), Michael Jackson
There are few pop albums, or even works of art, that denote a wholesale shift in time and space the way Michael Jackson’s Thriller did in 1982. It did nothing less than define the modern pop blockbuster and redefine the scope and reach of music. Seven of its nine original cuts were top 10 singles, and it became one of the bestselling albums ever made.
ZL: Not only did it outsell everything in its opening year, it outsold everything in its second year. It changed the way people approached making music, releasing music, distributing, marketing music, and no one ever caught up to it. It set the bar so high.
NR: When Michael dropped this record, to me, the world changed. It was a seismic shift. Having a Black artist do a music video on the level of “Thriller” just changed the world.
1. The Miseducation of Lauryn Hill (1998), Lauryn Hill
Lauryn Hill’s debut — and only — solo studio album was a seismic event in 1998: a stunningly raw, profound look into the spiritual landscape not just of one of the era’s biggest stars, but of the era itself. She was, and remains, a once-in-a-generation talent whose inspiration and innovation can be heard through the decades. Artists exhaust long discographies hoping for a cohesive piece of work resonant enough to reshape culture and inscribe its creator into the pantheon; Lauryn Hill did it in one.
ZL: This album doesn’t just resonate with the people who were around when it came out and who hold it dear. It has not dated, not even a fraction. In fact, it feels more fresh and more relevant the more you listen to it… There are a lot of young artists hearing it, and it’s becoming part of their artistic DNA. It’s inspiring and influencing them… It’s timeless.
MR: Lauryn brought everybody with her on this record. She brought her community. She brought her friends and her family. You’re in the kitchen; you’re in the living room with her. You hear people; you hear the voices talking… It’s so open and so expansive and so direct… To have an artist like Lauryn Hill be the number one, that means a lot.
ED: It’s very personal. This album delivers on so many levels. It exemplifies and captures popular music of the last 25 years, holistically. It’s R&B, it’s hip-hop, it’s independent women, strong women, it’s topical, it’s sampling… I think that’s why it got voted number one.
NR: She’s amazing. This record is amazing.
Watch the full roundtable conversation with Nile Rodgers, Maggie Rogers, Zane Lowe, and Ebro Darden at music.apple.com.
As an additional gift to music fans, Apple Music created 100 audio vignettes telling the story of each album and contextualizing its significance and position on the list. Written by a team of music experts and edited by award-winning audio editors, these vignettes are sonic companions to Apple Music’s 100 Best Albums. Listen to the stories behind each of the albums and more on Apple Podcasts at apple.co/100BestRadio.
Music lovers can also access 100 Best Albums special content across the Apple ecosystem on the App Store, Apple News, Apple Retail, apple.com, and more. Additionally, they can explore a 100 Best Albums dedicated space on Apple Books, which celebrates titles by and about artists from the list.
I got mad love for Kendrick...
But good kid mad city is not the best rap album of all time.
Any round table with Ebro is flawed from conception
You knew the icon had to be top 3.. nig owns holidays
I didn’t look at the whole list. Was just interested in seeing who they were gonna say top 5 top 10
man...i have NEVER listened to that album....
aside from a single here and there kendrick just never resonated with me....those funny voices and shit i just dont care for
i'll give it a listen today....my expectations are low though
lol
wisdom and understanding all being born to power and refinement
we possess the knowledge and understanding that the 95% Lack...the knowledge we possess give us the power to be unaffected by the foolishness the masses are affected by
yeah I only fucked with...the intro..."the art of peer pressure" "poetic justice" featuring drake, "money trees" and the bonus track "black boy fly"
List is already flawed. Any list that has Stevie Wonder below Lauryn Hill I call into question. I just looked at this list again so they put Purple Rain and Thriller below Lauryn Hill okay this is a garbage list.
Don't even look into the hip hop albums
To be clear...
I haven't heard ALL 100 albums
I think if you didn't? You really shouldn't be able to vote.
Pet sounds is one of favorites undisputed classic so is Low End so is SZA so I'm MJ etc etc
I can't RANK those. And I don't need or want to
So I cannot fairly call this entire list trash
Although it is
It's impossible and just a complete waste of time to do this especially cross genres.
Maybe NOT ranking them?
The ONLY good thing I hope gained from this publicity stunt is that people will experiment and listen to all the albums listed
I haven't heard ALL 100 albums
I think if you didn't? You really shouldn't be able to vote.
Pet sounds is one of favorites undisputed classic so is Low End so is SZA so I'm MJ etc etc
I can't RANK those. And I don't need or want to
So I cannot fairly call this entire list trash
Although it is
It's impossible and just a complete waste of time to do this especially cross genres.
Maybe NOT ranking them?
The ONLY good thing I hope gained from this publicity stunt is that people will experiment and listen to all the albums listed
Last edited:
If Lauryn Hill is so great tell her do it again. Michael Jackson did it several times, Prince did it several times. In the late 60s through the 80s everything Stevie Wonder touched was gold.
Pretty disrespectful list in my opinion. Kendrick is way too high. Public Enemy is way too low. Dangelo is too low.
Jill Scott 1st album is far above anything Rihanna ever made.
Aretha is top 5 on any list. She has at least 3 great albums in American history.
Lauryn is sublimely OVERRATED, even though I love the album.
No Sly, No Deftones, No Isley Brothers, No Ohio Players, No Rick James not ONE Blues album.
No Monk, No Mingus
Sza and Frank Ocean can't sing at all, but neither can Bob Dylan, but damn that's high for these two.
Tyler and Astroworld are some serious recency bias. LL Cool J, Rakim, Run DMC just not relevant anymore?
If Jay Z is on there, it has to be Reasonable Doubt or the Black album.
All Eyes on Me is not Pac's best album. They are just throwing shit on here out of respect.
No James Brown is ridiculous. No Bill Withers.
Sam Cooke Live in Harlem and James Brown Live at the Apollo , should be on here.
I love Beyonce but she does not have two top 100 albums over any of the artists I listed.
Jill Scott 1st album is far above anything Rihanna ever made.
Aretha is top 5 on any list. She has at least 3 great albums in American history.
Lauryn is sublimely OVERRATED, even though I love the album.
No Sly, No Deftones, No Isley Brothers, No Ohio Players, No Rick James not ONE Blues album.
No Monk, No Mingus
Sza and Frank Ocean can't sing at all, but neither can Bob Dylan, but damn that's high for these two.
Tyler and Astroworld are some serious recency bias. LL Cool J, Rakim, Run DMC just not relevant anymore?
If Jay Z is on there, it has to be Reasonable Doubt or the Black album.
All Eyes on Me is not Pac's best album. They are just throwing shit on here out of respect.
No James Brown is ridiculous. No Bill Withers.
Sam Cooke Live in Harlem and James Brown Live at the Apollo , should be on here.
I love Beyonce but she does not have two top 100 albums over any of the artists I listed.
I'll add 1999 isn't Prince's best album.
Sign of the Times > 1999.
Bro it don't DESERVE your depth of analysis
the people who voted? ADMITTED they aint follow the criteria SET by Apple!
They can't even DEFEND the selections OR the rankings.
Its utter bullsh*t but I will give it this...
I'm happy that it reminded me to go back and listen to some classics that got lost in my existing playlist
So thank you for THAT and ONLY that part.
Mos Def - Black on Both sides should be on this list and if it's not? It's not a list.
The Carnival by Wyclef>>>>
Similar threads
