Any Screenwriters On The Board??

King of Pain

Potential Star
BGOL Investor
K O P - We need to talk soon. I just started writing my third feature spec awhile ago. Trying to open a line to Miramax - BUT the lady wants to see two three specs from the door to make sure I'm not a one shot miracle.


Lefty, see what you dun started fam. Start with this and READ The best example (besides Die Hard) for a screenplay ever.

http://members.aol.com/rwsmittjr/scripts/chinatown.txt

I'm running my screenplays with with Final Draft now but Movie Magic and a few others are out there. Before you get into that check these out and read some more. Understanding the format is key. Structure fits in with that. Screenwriters Utopia has alot of articles to start you out. Need info - like that sauce - it's in there. Read then WRITE. And keep writing.

http://www.screenwritersutopia.com/

Here's some more

http://www.script-o-rama.com/table.shtml

http://www.script-o-rama.com/links.shtml

http://us.imdb.com/studios

http://www.lousywriter.com/how_to_write_better_with_punctuation.php

http://www.film.com/

http://www.filmmakers.com/contests/directory.htm

http://www.donedealpro.com/default.aspx

http://www.hollywoodlitsales.com/

http://www.hcdonline.com/

http://www.simplyscripts.com/wga_top_101_scripts.html

http://www.scriptforsale.com/


GOOD LUCK TO ALL YA'LL
oNE

No problem, hit me up.
 

blackink

Support BGOL
Registered
What's good. I consider myself a screenwriter indeed. I have written 6 finsishes scripts and a few novels and a short story collection. Have done pretty well in a few screenwriting competitions, althoght I feel that many are rigged and a waste of time and energy. I am still doing the thing. Every now and then I query for agents or send a synopsis to a producer. It's a struggle but we are born into a struggle.

INK
 

LeftyLuchini

Star
Registered
I EP 2 television shows and I've sold 2 features. I am currently writing features for 3 studios. I did start out doing punch up, and I have re written a few features.

now thats whats up.
how did u get yr break into the industry?
did u go to college first,
or just found an "in" somewhere?
 

spranger1

Star
Registered
How are you aspiring screenwriters supporting yourselves while you pursue the dream? Are you still in the biz or are you working in another field?
 

King of Pain

Potential Star
BGOL Investor
now thats whats up.
how did u get yr break into the industry?
did u go to college first,
or just found an "in" somewhere?

I did go to college (after many failed attempts as a student/athlete) and take the craft seriously. I worked for many years as a production asst on movies and TV shows while practicing writing. Then, I got my break. It wasn't easy and still isn't. I have had to work in some pretty difficult circumstances with difficult people, but there is nothing else I'd rather do.
 

Darth Furious

Master
Platinum Member
I did go to college (after many failed attempts as a student/athlete) and take the craft seriously. I worked for many years as a production asst on movies and TV shows while practicing writing. Then, I got my break. It wasn't easy and still isn't. I have had to work in some pretty difficult circumstances with difficult people, but there is nothing else I'd rather do.

EXACTLY.

You feel it inside, so much in fact - that you could not even think of doing something else. I know that feeling. I'm working outside the field, supporting the family and IT IS KILLING ME. I'm writing around my day - at inhuman hours of the night and staggering to the office every morning. Literally, my gig is consuming ten to twelve hours of my day, six days a week and I hate it. I hate working for the man. I hate everything I do. We're having a dozen or so episodes of some sort atleast everyday. Shit, I was on watch detail myself and I ain't even violent.:angry:

Sad thing is, I've been close to Hollywood's doorstep years ago and fell back for stable money. Now I got it and I don't want it anymore. Uncle Sam got their hooks in my pockets and I'm looking for a way out. This is it.


This what I... we all need tho. The struggle is what makes it count... right?


oNE
 

King of Pain

Potential Star
BGOL Investor
EXACTLY.

You feel it inside, so much in fact - that you could not even think of doing something else. I know that feeling. I'm working outside the field, supporting the family and IT IS KILLING ME. I'm writing around my day - at inhuman hours of the night and staggering to the office every morning. Literally, my gig is consuming ten to twelve hours of my day, six days a week and I hate it. I hate working for the man. I hate everything I do. We're having a dozen or so episodes of some sort atleast everyday. Shit, I was on watch detail myself and I ain't even violent.:angry:

Sad thing is, I've been close to Hollywood's doorstep years ago and fell back for stable money. Now I got it and I don't want it anymore. Uncle Sam got their hooks in my pockets and I'm looking for a way out. This is it.


This what I... we all need tho. The struggle is what makes it count... right?


oNE
Yeah, I understand how you feel. I made my choice to pursue this after a bitter divorce. A good friend asked me when I was at my lowest to channel my grief over a failed marriage and loss of my children into something productive. He asked me what I would do if I could do anything. I answered "Write movies and TV shows". At the time I lived in Maryland and was as far away from the business as one could be. My journey from sleeping in my car for months to collecting garbage on movie sets at the end of shoot days to consulting on a major summer movie (which I did today) was a difficult one, but one that saved my life. I get asked alot about "how to break in",or "can you hook me up" and I shake my head. I believe success in hollywood is possible for many, but there aren't many willing to pay the price of success. Hollywood has rules, rules that can be bent but not broken. If you take the time to learn them and are willing to make the sacrifice...it is possible. When I was leaving MD, I thought everybody in Hollywood must be a genius. I've been in this since '92 and I've yet to find one. But what I have found are people to greater and lesser degrees that are willing to work hard and put their best foot forward, some are talented, some aren't but all pay the toll of working in this chaotic circus called hollywood.
 

LeftyLuchini

Star
Registered
I did go to college (after many failed attempts as a student/athlete) and take the craft seriously. I worked for many years as a production asst on movies and TV shows while practicing writing. Then, I got my break. It wasn't easy and still isn't. I have had to work in some pretty difficult circumstances with difficult people, but there is nothing else I'd rather do.

im pretty sure it feels good to finlly sell a script tho.
even if u gotta go thru bullshit u still can for a while off a sale right?
isnt the WGA scale for a feature like 40k?
 

King of Pain

Potential Star
BGOL Investor
im pretty sure it feels good to finlly sell a script tho.
even if u gotta go thru bullshit u still can for a while off a sale right?
isnt the WGA scale for a feature like 40k?

I believe so, but money changes once you start doing this. I have a friend who got here the same time as me and had a hell of a head start. He was on a series and sold 2 features in the same week. He made a little over a million dollars in 8 days. Last week he asked me if he could borrow 2g's because he couldn't pay his bills. What I'm saying is once you get in, for a minute money is great. You are a new commodity and everyone is hoping you're the next star. Once they realize you're not, if you're not, its back to the pack with the rest. Think about it this way, if you are a black writer who just writes black comedy how many jobs are you fighting for? There are maybe three black shows on television, and with the exception of Tyler Perry and Ice Cube, how many black movies were made last year? Six? What happens to all of those other writers who were on shows for a minute then vanished? And in LA, 40 g's (before taxes, agents, managers,wga dues, and life) doesn't go far.
 

LeftyLuchini

Star
Registered
I believe so, but money changes once you start doing this. I have a friend who got here the same time as me and had a hell of a head start. He was on a series and sold 2 features in the same week. He made a little over a million dollars in 8 days. Last week he asked me if he could borrow 2g's because he couldn't pay his bills. What I'm saying is once you get in, for a minute money is great. You are a new commodity and everyone is hoping you're the next star. Once they realize you're not, if you're not, its back to the pack with the rest. Think about it this way, if you are a black writer who just writes black comedy how many jobs are you fighting for? There are maybe three black shows on television, and with the exception of Tyler Perry and Ice Cube, how many black movies were made last year? Six? What happens to all of those other writers who were on shows for a minute then vanished? And in LA, 40 g's (before taxes, agents, managers,wga dues, and life) doesn't go far.
:eek:
pleae explain to me my brotha,
how a man writing in hollywood goes from making a million in 8 days,
to asking to borrow 2Gs from u?

..and did u give it to him?
 

King of Pain

Potential Star
BGOL Investor
:eek:
pleae explain to me my brotha,
how a man writing in hollywood goes from making a million in 8 days,
to asking to borrow 2Gs from u?

..and did u give it to him?

Lol...think about it like you see many pro athletes who think it will last forever and it rarely does, even in this business. You almost have to live on a tight budget with the anticipation that it won't last and you'll have to count on your reserves to survive eventually. A million dollars sounds like alot of money...its not. No, I didn't loan it to him. I had my own tax issues to deal with, and since he didn't have a gig, I couldn't see how he'd pay me back.
 

Darth Furious

Master
Platinum Member
First thing I thought of fam. I PRAY for the chance.

I got folks callin me for help and I aint even sold my first spec yet. Only dudes I know of (from my way) that made it out there are Antoine Fuqua and Ben Ramsey, and THAT worries me.

Some I met in circles made it. Most gave up. I seen dudes lose their wives and kids and put the iron in their mouths. There's SO MUCH more to life than that. So much more to a dream. What you've done is turned your disaster into change. You did it. Change for a new life. I don't even know you and I'm happy for you. Ain't that some shit.

I got mouths to feed and wifey is REALLY supportive (even when I was broke, hustleless and jobless, she was there) but reality hits and I think HOW can I do this? Can I scribe from here in The Pit? Can my family make it on one salary alone until I hit it big? And what if hittin it big aint big at all?

Oh yeah and about the money - how can it be? I seen some folks run through a million dollar deal and I think WHAT! HOW? I'm tryin to leave this gov shit behind - for good so I can't fault like that. Not with mouths to feed.



oNE
 

mrfreekydeeky

Potential Star
BGOL Investor
2e8ceb6709a0ba5fd3d54110.L.jpg



Robert McKee - Story - Disc 1

Robert McKee - Story - Disc 2

Robert McKee - Story - Disc 3

Robert McKee - Story - Disc 4

Robert McKee - Story - Disc 5

Peace
Like Rick Fox in He Got Game....Much Love Much Love....
 

King of Pain

Potential Star
BGOL Investor
First thing I thought of fam. I PRAY for the chance.

I got folks callin me for help and I aint even sold my first spec yet. Only dudes I know of (from my way) that made it out there are Antoine Fuqua and Ben Ramsey, and THAT worries me.

Some I met in circles made it. Most gave up. I seen dudes lose their wives and kids and put the iron in their mouths. There's SO MUCH more to life than that. So much more to a dream. What you've done is turned your disaster into change. You did it. Change for a new life. I don't even know you and I'm happy for you. Ain't that some shit.

I got mouths to feed and wifey is REALLY supportive (even when I was broke, hustleless and jobless, she was there) but reality hits and I think HOW can I do this? Can I scribe from here in The Pit? Can my family make it on one salary alone until I hit it big? And what if hittin it big aint big at all?

Oh yeah and about the money - how can it be? I seen some folks run through a million dollar deal and I think WHAT! HOW? I'm tryin to leave this gov shit behind - for good so I can't fault like that. Not with mouths to feed.



oNE
Thank you for the thoughts. First let me say that nine months into my move to LA, my ex sent my 11 year old son to stay with me. I was forced to build more stability for him, but it didn't stop me from what I believe I was put here to do. My family never suffered during my pursuit because I never allowed it. I worked two and three shows at a time, hustled extra's vouchers, did security between gigs, whatever but I never allowed myself to make my family pay for my dreams. That said, I do believe you can make yourself a better writer from afar, but I think its difficult to make it as screenwriter unless you are in the place where they buy,produce and finance screenplays. That being said, can you sell a screenplay from afar? Yes. But this usually the place where people argue with me. Of course there are exceptions to the rule. I'm sure there is someone out there who was "discovered" for there writing ability. I have never met this person, although I have heard stories. I do know far more people who came out here with nothing and built careers, so I guess that is what influences my point of view.
 

King of Pain

Potential Star
BGOL Investor
First thing I thought of fam. I PRAY for the chance.

I got folks callin me for help and I aint even sold my first spec yet. Only dudes I know of (from my way) that made it out there are Antoine Fuqua and Ben Ramsey, and THAT worries me.

Some I met in circles made it. Most gave up. I seen dudes lose their wives and kids and put the iron in their mouths. There's SO MUCH more to life than that. So much more to a dream. What you've done is turned your disaster into change. You did it. Change for a new life. I don't even know you and I'm happy for you. Ain't that some shit.

I got mouths to feed and wifey is REALLY supportive (even when I was broke, hustleless and jobless, she was there) but reality hits and I think HOW can I do this? Can I scribe from here in The Pit? Can my family make it on one salary alone until I hit it big? And what if hittin it big aint big at all?

Oh yeah and about the money - how can it be? I seen some folks run through a million dollar deal and I think WHAT! HOW? I'm tryin to leave this gov shit behind - for good so I can't fault like that. Not with mouths to feed.



oNE

As far as the money thing. Most points of views change once you see how money is thrown around out here. Writers we know that haven't produced things in years make inordinate amounts of money through pitches and their ideas. What you need is ONE hit, if parlayed properly one can work forever. And I'm sure you know folks who are irresponsible with money or decide to live in the fast lane. It's fun, hell I succumbed to the temptation for a minute until my accountant had to pull me up and remind me that I'm not as rich as I think I am. There is a certain humility that comes with being broke and struggling. You'd be amazed at how fast that shit can fade.
 

SlimKid07

Rising Star
BGOL Investor
Peace to yall chasing the dream. Great info and stories in here.

All of the LA fam should collab on a project or two. I'm down if we can allocate time and energy.

Peace
 

d-monic

Rising Star
Registered
This is one of the better thread I've read here and makes me glad I paid for my membership, lol.

I came up with some very successful screenwriters. One has a movie coming out in a couple weeks with Queen Latifah and Dakota Fanning. We used to hang hard in college.

In the late 90s I made it into the finalist round of the Sundance Screenwriting Competition, but I've never gotten my foot in the door. Instead I went to grad school, and while I don't regret that decision, it burns when I see those friends I came up with names in the credits.

Still, screenwriting is not what I thought it was in college. In college I used to believe it was all about talent. I used to think Shane Black, who wrote Lethal Weapon at 25, was just the greatest writer of all time. No sir. There's a lot more to it. Who you know is a big part, but who likes you and genuinely wants to help you is an even bigger part. Not too many helping hands for brothers in the business. There's a lot of righteous talk in the industry about the low numbers of minority writers and doing something about it, but you'd be surprised how few people actually walk the walk in the industry.

I remember back when I was coming up the big thing was writer's training programs. Disney had one that got a number of black writers breaks and then there was WGA backed one for television shows. The WGA backed program was originally intended to assist minority writers, but when the more powerful shows endorsed it, it became about white female writers and male writers with strange handicaps no one had ever heard of. On the really good shows, they would find any reason to keep that trainee from being black.

It's a tough industry, that's for sure. When King of Pain says "all pay the toll of working in this chaotic circus called hollywood," he ain't lying.
 

ThaBurgerPimp

Rising Star
BGOL Patreon Investor
This is one of the better thread I've read here and makes me glad I paid for my membership, lol.

I came up with some very successful screenwriters. One has a movie coming out in a couple weeks with Queen Latifah and Dakota Fanning. We used to hang hard in college.


In the late 90s I made it into the finalist round of the Sundance Screenwriting Competition, but I've never gotten my foot in the door. Instead I went to grad school, and while I don't regret that decision, it burns when I see those friends I came up with names in the credits.

Still, screenwriting is not what I thought it was in college. In college I used to believe it was all about talent. I used to think Shane Black, who wrote Lethal Weapon at 25, was just the greatest writer of all time. No sir. There's a lot more to it. Who you know is a big part, but who likes you and genuinely wants to help you is an even bigger part. Not too many helping hands for brothers in the business. There's a lot of righteous talk in the industry about the low numbers of minority writers and doing something about it, but you'd be surprised how few people actually walk the walk in the industry.

I remember back when I was coming up the big thing was writer's training programs. Disney had one that got a number of black writers breaks and then there was WGA backed one for television shows. The WGA backed program was originally intended to assist minority writers, but when the more powerful shows endorsed it, it became about white female writers and male writers with strange handicaps no one had ever heard of. On the really good shows, they would find any reason to keep that trainee from being black.

It's a tough industry, that's for sure. When King of Pain says "all pay the toll of working in this chaotic circus called hollywood," he ain't lying.

you mean that movie called The Secret Lives of Bees..?
 

INVICTUS3RD

Potential Star
Registered
My 2:

Up and coming screenplay writer is how I always introduce myself. Posititve re-enforcement...No magic wand or special potion...you gotta just have something that will hook...be at the right place, at the right time and bingo! You're in. Now how do you go about doing that? Well if I knew, I get a D-list actress to beat my dick instead of me.

But trust when I tell you...it's about who you know that gets you through the door and talent keeps your ass in the room.

Keep writing fellas...remember, "A writer, writes."


One
 

godofwine

Supreme Porn Poster - Ret
BGOL Investor
BGOL is full of people from every background and occupation. But for real, This below HAS GOT TO CHANGE. I am tired of seeing the same old thing in movies.

Blake Snyder's 15 Point Beat Sheet with page locations in ( ) as found in Save the Cat!:

1. Opening Image (1) - The first impression of a movie - its tone, mood, and scope.
2. Theme Stated (5) - Thematic premise.
3. Set-Up (1-10) - Introduce the hero, the stakes, and the goal.
4. Catalyst (12) - A life changing event for the hero.
5. Debate (12-25) - The hero must decide how to proceed in life
6. Break Into Two (25) - Entering the new world of Act Two.
7. B Story (30) - Second plot that gives a breather to the main story.
8. Fun and Games (30-55) - Having fun in the new world.
9. Midpoint (55) - Stakes raised with a false victory or false collapse.
10. Bad Guys Close In (55-75) - Villains regroup against the hero.
11. All Is Lost (75) - Opposite of the Midpoint that signifies transition from hero's old ways.
12. Dark Night of the Soul (75-85) - Worse moment for the hero.
13. Break Into Three (85) - Main Story & B Story converge for hero to find a solution.
14. Finale (85-110) - Hero triumphs over villains to create a new society.
15. Final Image (110) - Opposite from Opening Image to show a change occurred.

Read Part 2 of Blake's interview: Tips from a Spec Screenwriter

In his 20-year career as a screenwriter and producer, Blake Snyder has sold dozens of scripts, including co-writing Blank Check, which became a hit for Disney, and Nuclear Family for Steven Spielberg — both million-dollar sales. He is the author of "Save the Cat! The Last Book on Screenwriting You'll Ever Need"
 

ThaBurgerPimp

Rising Star
BGOL Patreon Investor
BGOL is full of people from every background and occupation. But for real, This below HAS GOT TO CHANGE. I am tired of seeing the same old thing in movies.

and my "New Jack City/Blade Runner" script idea probably wouldnt fly either..maybe if i did it more like Children Of Men but w/ Bloods and Crips LOL

i also hoped to do a Battle Royal-type film,but w/ a bunch of CW/Disney Channel show ppl..picture
the cast members of High School Musical and,say,the new 90210 getting heads blown off :lol:
 

bgque12

Rising Star
BGOL Investor
Yeah I've written feature length screnplays, have one some awards for short films I also produced.

Syd Fields Screenplay is my main book but i have a few others.

I'd like to see some of those as ebooks as well.

Maybe I find them on rapidshare.

Yeah, Syd Fields works just fine for me. I just finished my first two months ago and starting on my 2nd now.
 

ThaAnsa3

Rising Star
BGOL Investor
This is one of the better thread I've read here and makes me glad I paid for my membership, lol.

I came up with some very successful screenwriters. One has a movie coming out in a couple weeks with Queen Latifah and Dakota Fanning. We used to hang hard in college.

In the late 90s I made it into the finalist round of the Sundance Screenwriting Competition, but I've never gotten my foot in the door. Instead I went to grad school, and while I don't regret that decision, it burns when I see those friends I came up with names in the credits.

Still, screenwriting is not what I thought it was in college. In college I used to believe it was all about talent. I used to think Shane Black, who wrote Lethal Weapon at 25, was just the greatest writer of all time. No sir. There's a lot more to it. Who you know is a big part, but who likes you and genuinely wants to help you is an even bigger part. Not too many helping hands for brothers in the business. There's a lot of righteous talk in the industry about the low numbers of minority writers and doing something about it, but you'd be surprised how few people actually walk the walk in the industry.

I remember back when I was coming up the big thing was writer's training programs. Disney had one that got a number of black writers breaks and then there was WGA backed one for television shows. The WGA backed program was originally intended to assist minority writers, but when the more powerful shows endorsed it, it became about white female writers and male writers with strange handicaps no one had ever heard of. On the really good shows, they would find any reason to keep that trainee from being black.

It's a tough industry, that's for sure. When King of Pain says "all pay the toll of working in this chaotic circus called hollywood," he ain't lying.

There's some good insight here. I hope that you haven't become discouraged, though. If you really want to continue, I would hope that you do.
 

Barback

Star
Registered
133.jpg


product_thumb.php


Whether you are working on your first screenplay or a seasoned professional looking for technical help, Syd Field's 4 - Part Screenwriting Workshop is an invaluable writing and reference tool.

This legendary course will help you convert your idea into a properly structured screenplay; one you will feel confident submitting to Film Studios and Production companies worldwide.

Syd Field is regarded by entertainment industry professionals as the foremost authority on the craft of screenwriting. For over 25 years he has taught and guided thousands of professional screenwriters, many of whom have gone on to become the biggest names in Hollywood. Syd Field's exclusive course is usually given only a few times a year. This workshop takes you on the same educational journey, in the comfort of home, at your own time and pace.

The course is broken into four individual sections:

Part I - Getting Started - Forming your story idea into a dramatic entity.
• Isolating the idea
• Creating the subject
• Breaking it down into action and character
• The nature of screenplay structure
• Structuring your story line
• Writing the four-page treatment

Part II - Creating Character - The heart and soul of your screenplay:
• What makes a good character
• The essence of dramatic need
• Creating the character biography
• The tools of character
• The circle of being

Part III - Writing The Screenplay
• Set up the story
• Write the story
• Structure the screenplay into acts
• Stress the importance of the first ten pages
• Determine the plot points
• Set up and prepare Act II
• Establish Pinch I and Pinch II
• Establish the sub-dramatic context

Part IV - Rewriting the Screenplay - All writing is rewriting:
• Approaching the rewrite
• Rethinking what you have written
• Redefining and re-establishing the theme, premise, dramatic action
• The tools of rewriting
• Discovering character through action
• Sharpening and focusing character
• Setting up and paying off the elements of the story line

http://rapidshare.com/files/153812704/Syd_Field.part01.rar
http://rapidshare.com/files/153820133/Syd_Field.part02.rar
http://rapidshare.com/files/153827832/Syd_Field.part03.rar
http://rapidshare.com/files/153837003/Syd_Field.part04.rar
http://rapidshare.com/files/153846294/Syd_Field.part05.rar
http://rapidshare.com/files/153855639/Syd_Field.part06.rar
http://rapidshare.com/files/153864690/Syd_Field.part07.rar
http://rapidshare.com/files/153871616/Syd_Field.part08.rar

dont forget about a brutha.
 

AOD

Star
Registered
133.jpg


product_thumb.php


Whether you are working on your first screenplay or a seasoned professional looking for technical help, Syd Field's 4 - Part Screenwriting Workshop is an invaluable writing and reference tool.

This legendary course will help you convert your idea into a properly structured screenplay; one you will feel confident submitting to Film Studios and Production companies worldwide.

Syd Field is regarded by entertainment industry professionals as the foremost authority on the craft of screenwriting. For over 25 years he has taught and guided thousands of professional screenwriters, many of whom have gone on to become the biggest names in Hollywood. Syd Field's exclusive course is usually given only a few times a year. This workshop takes you on the same educational journey, in the comfort of home, at your own time and pace.

The course is broken into four individual sections:

Part I - Getting Started - Forming your story idea into a dramatic entity.
• Isolating the idea
• Creating the subject
• Breaking it down into action and character
• The nature of screenplay structure
• Structuring your story line
• Writing the four-page treatment

Part II - Creating Character - The heart and soul of your screenplay:
• What makes a good character
• The essence of dramatic need
• Creating the character biography
• The tools of character
• The circle of being

Part III - Writing The Screenplay
• Set up the story
• Write the story
• Structure the screenplay into acts
• Stress the importance of the first ten pages
• Determine the plot points
• Set up and prepare Act II
• Establish Pinch I and Pinch II
• Establish the sub-dramatic context

Part IV - Rewriting the Screenplay - All writing is rewriting:
• Approaching the rewrite
• Rethinking what you have written
• Redefining and re-establishing the theme, premise, dramatic action
• The tools of rewriting
• Discovering character through action
• Sharpening and focusing character
• Setting up and paying off the elements of the story line

http://rapidshare.com/files/153812704/Syd_Field.part01.rar
http://rapidshare.com/files/153820133/Syd_Field.part02.rar
http://rapidshare.com/files/153827832/Syd_Field.part03.rar
http://rapidshare.com/files/153837003/Syd_Field.part04.rar
http://rapidshare.com/files/153846294/Syd_Field.part05.rar
http://rapidshare.com/files/153855639/Syd_Field.part06.rar
http://rapidshare.com/files/153864690/Syd_Field.part07.rar
http://rapidshare.com/files/153871616/Syd_Field.part08.rar

dont forget about a brutha.

This is some good stuff, bruh!! Good lookin' out!!:yes::yes::yes:
 
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