Another two thing I was really curious about is the depiction AND efficacy of spiritual spellwork vs divinity.
Again, bringing up vampiric lore and tying it to direct interdiction from divinity, we see that vampires can't access a human created dwelling without permission. It is questionable as to why "God" would allow vampires to exist at all, but allow them to exist within confines of rules, that if they exercise proper judgement, they can thrive in, for as long as there is a "food source". While at same time, not allowing humans to know what these forbiddance things are as a race, which again favors the vampires.
"God" allows vampires because they are the undead. Not under God's eye, basically, because they are between life & death.
It has to be assumed that divinity prevents them from simply rampaging through mortal homes, yet a simple uttered statement from a human can negate this "forbiddance". Also notice that the Asian woman doesn't directly invite any vampire in but is deemed by her word choice to having invited ALL vampires in, sight unseen!
No, its not really divinity. A house is seen as your place of power. To have the damned cross your threshold requires permission. Think of it like how someone has to give an entity permission before being possessed. Unholy/evil things cannot cross borders without permission.
And technically, the Asian women (Helen, I think her name was) shouldn't have had the power to do such. It usually has to be the person that owes or resides in the house/building/area/etc.
The question I had here, again due to Coogers Vamp-power depiction, is, are they all able to enter due to the Hivemind power, which has them being a collective, or is the elder Vamp able to fudge the rules?
It seems like a variation of the mind control power that vampires are supposed to have. Technically, vampires can make two creatures: another vampire that is independent of the one that bit them & a thrall. The thrall is the one that vampires have dominion over, which included mind reading & manipulation of the thrall. Elder vampires control new vamps with charms, usually. Apparently, Sinners changed the vampire rules a little.
I think that Remmick was so desirous of having a "family" again that he kept the connection open. That connection is a cheat code that allowed the lesser vampires to "hive-mind". Or it could be Remmick just "pushing" what he wants them to know into their mind. It seems like the vamps he made were a mix of thralls & regular vamps.
The cross appears to be on no consequence whatsoever, even though it is considered a symbolic totem of God, somehow garlic is effective even though garlic also has nothing to do with divinity and or spiritual systems and originated in neither an African nor European region of the world.
You got to have belief to go along with religious items. It's the belief that hurts them, not the item. Garlic has always been a ward against evil & impure things. You're leaning a lot on Judeo-Christian ideals, when vampyrs are more of a Slavic thing.
The small satchel of spiritual items is somehow very effective even in close combat, while not being tied to divinity and at same time in direct opposition of this God's" edicts regarding "false idols/worship". And the source of her spiritual practice is African derived.
Again, it's the belief, not the item. Nothing to do with divinity. Nothing to do with Christianity. If this movie was in a bowling alley & Smoke had on his lucky socks & so happens to pull it off during the battle, it would hurt the vampire. Because of his belief in its luck.
But the thing that really stands out is this, at the end, it appears Smoke is reunited with his woman who JUST transitioned and his child who transitioned well over 5 years ago, the symbolism depicts them in white, which is associated with Divine "Heaven", I wonder if he intentionally did that, cause then it means, whiteys God of wrath and jealously and vengeance is the REAL God. Or it means that he maybe thought we could only accept an afterlife depiction that we have been indoctrinated to process from colonizers.
Well, they always say that someone from the other side will bring you over. Think about it. His brother was the undead, which in his mind means he's gonna burn in hell (and yes, I know the truth...but....spoilers) & the only thing other than him he truly loved was Sammie & his kid. So, yeah, his kid's gonna be there. And Mary already told him she'll be there.
And it does represent heaven, but it doesn't mean that the Judeo-Christian God is the real God. I mean, what did you want? The Star Child scene from 2001: A Space Odyssey?
The reason I say the latter is because she makes the statement of not wanting the smoke to get on the baby, the importance of that is in spiritual practices, communication with those who have transitioned is done via frequency foremost and libations, which includes liquor/drink, water and smoke. These are the things that can entice a non-corporal entity to seek to inhabit corporal form.
Yep. There's a reason why they call liquor spirits. And you forgot oil. That's how they trapped genies/jinns.
{why the elder wanted MILES in the first place, and shows that the Elder vampire is also a practitioner of a spiritual/supernatural belief]
I separated this part from what you wrote because I don't believe that Remmick was a practitioner of anything. I think that he was a musician & once he became a vampire, he saw how music (i.e. frequency) can open the doorway to his ancestors. That explains his singing & his river dancing (which is also kinda ironic, being that vampires hate running water) & making the rest of vampires have a Irish ceilidh (think I spelled that right...).
But he lacked the SOUL. That's what keeps the doorways open & allows the ancestors to interact with you. Notice when Sammie did his thing, he connected to his future & past ancestry. The power of his song was so great, even the Chinese ancestors came through & connected with Bo & Lin. The pain of slavery & being black, made into music by first a hum, then a stomp. Merrick's ceilidh did nothing but kick up a whole lot of dust, because he had no soul.
The real question is, why did he want Sammie, when Delta Slim had a good 30+ years of experience & blues on him? I get that Sammie's singing is what attracted them, but the minute Delta Slim got turned, Merrick could've broke out & used him to do what he wanted.
It also depicts that the infant regardless of the passage of human years since it died, WAS STILL AN INFANT IN THIS OTHER REALM! That in itself I think, would be a form of hell, if one stays in the state/form they died in, for eternity.
Again, just sharing what the movie made me think about.
Yeah, that is something to think about...