https://www.nytimes.com/2019/09/16/arts/television/shane-gillis-snl.html
Shane Gillis Dropped From ‘S.N.L.’ Cast Amid Criticism of Racist Slurs
A few days after Gillis was named to the cast, the show said that he would not stay on, and that it had been unaware of his offensive remarks.
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Shane Gillis was dropped from the “Saturday Night Live” cast on Monday, just a few days after he had been named to it, because of offensive remarks that came to light.CreditCreditPhil Provencio
By
Dave Itzkoff
- Published Sept. 16, 2019Updated Sept. 17, 2019, 1:41 a.m. ET
Shane Gillis, a comedian named last week to the “Saturday Night Live” cast before videos surfaced in which he used slurs and offensive language, will not be joining the show, the program announced on Monday.
“After talking with Shane Gillis, we have decided that he will not be joining ‘S.N.L.,’” a spokesperson for the show said in a statement on behalf of Lorne Michaels, the show’s creator and longtime executive producer.
“We want ‘S.N.L.’ to have a variety of voices and points of view within the show, and we hired Shane on the strength of his talent as a comedian and his impressive audition for ‘S.N.L.,’” the statement continued. “The language he used is offensive, hurtful and unacceptable. We are sorry that we did not see these clips earlier, and that our vetting process was not up to our standard.”
Gillis, 31, came under fire just a few hours after he and two new cast members — one of them Bowen Yang, the show’s first Chinese-American — were named for the coming season. A journalist
unearthed a video of a podcast in which Gillis used a slur in referring to Chinese people and mocked a caricature accent of a Chinese person speaking English.
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On Friday,
Vice News uncovered another podcast in which Gillis used the slur, this time prefaced by the word “Jew,” in referring to the Democratic presidential candidates Andrew Yang and Senator Bernie Sanders. Later in the podcast, which was broadcast this past May, he acknowledged the toxicity of his language, describing himself and others he was bantering with as “fat ugly idiots promoting hate.”
After “S.N.L.” announced his departure, Gillis said in a statement posted to his Twitter account that he respected the show’s decision and understood that his presence there “would be too much of a distraction.”
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“I’m a comedian who was funny enough to get to ‘S.N.L.’,” he wrote. “That can’t be taken away.”
Gillis added, “I was always a mad tv guy anyway,” referring to the rival sketch show, whose original run ended in 2009.
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While “Saturday Night Live” frequently makes changes to its cast from year to year, and has sometimes dropped multiple performers from its roster in efforts to revitalize itself creatively, it does not often cut cast members before the end of a season, let alone before their names are even announced once in the opening credits.
Gillis, a native of Mechanicsburg, Pa., has been a rising star in comedy, performing in major clubs in New York, Los Angeles and elsewhere. Two clubs in Philadelphia, however, said they had stopped working with him because of jokes that were, as one of the clubs put it, “racist, misogynistic, xenophobic and homophobic.”
“Saturday Night Live” acknowledged in its statement on Monday that its vetting of new talent had fallen short in this instance, but the program did not explain what, if any, measures it had taken to survey Gillis’s past professional history or online footprint before he was hired.
The controversy surrounding Gillis reflects an ongoing debate in comedy over whether performers should be punished for offensive language in their acts and on social media. Andrew Yang himself, while condemning the remarks, said he did not believe Gillis should be fired, and offered to “sit down and talk” with him. (On Monday, Yang said on Twitter: “Shane Gillis reached out. Looks like we will be sitting down together soon.”)
The former “S.N.L.” cast member Rob Schneider portrayed Gillis as a victim of political correctness, calling him a casualty of an era when “comedic misfires are subject to the intolerable inquisition of those who never risked bombing on stage themselves.”
But many comedians, “S.N.L.” fans and others considered Gillis’s remarks far outside the bounds of acceptability and said that keeping him on the show would be an affront.
“Gillis built his career on hate mongering,” Min Jin Lee, a Korean-American author and National Book Award finalist, wrote on Twitter. “To reward it by giving him a job at an American cultural cornerstone would pose a serious moral hazard.”
In recent years, protests of comedians’ tweets and other online posts have led to tangible consequences, at “S.N.L.” and elsewhere.
The comedian Kevin Hart
stepped down in December as host of the 2019 Academy Awards, amid criticism of his past tweets and remarks that were considered homophobic. In 2017,
“S.N.L.” suspended a writer, Katie Rich, after she tweeted an offensive joke about President Trump’s son Barron during the presidential inauguration ceremony.
“S.N.L.” has been criticized over the years for its lack of diversity, and
even mocked itself in its own comedy sketches for not having enough performers to impersonate nonwhite celebrities and political figures.