Any Screenwriters On The Board??

I tell you what, it feels so good to be back riding again. I came up with a chilling and to the second novel, though I am nowhere near 50% done with it.

This ending here would scare the shit out of anyone. I paid homage to Pulp Fiction, "You lost your LA privileges" But I tell you if someone said to you what my character said to the antagonist you would definitely be terrified.

I think I'm going to approach my novel and other works differently from now on. Instead of trying to write it all from start to finish, I'm going to break it up into sections, right the sections and put them together like a puzzle later on. That way it doesn't seem so daunting

The naughty nurse Chronicles is going to be the shit
I think that's a good way to go, because somethings will just seem to want to go together.

When I wrote my screenplay, I actually had the end before I had the beginning. Yes, the end was written first.
It was like I was already at the destination, now it's a matter of which way (of many) do I take to get back home. I know it sounds crazy, but that's how it was for me.

Those are actually very common text book ways to approach your work

WHATEVER WORKS FOR YOU!

if it keeps you inspired engaged and interested? It's perfect.

I've seen idex cards, legal pads, time lines, bulletin boards and even someone record the whole book with a tape recorder. In fact there is a VERY famous and successful romance novelist that did this in the 60s and 70s and some others.

Really at this point as much as I hate AI? If you use chatgpt just to get your thoughts together to firm an outline?

That's fine too.
 
I'm still refining my logline, this is another version of it.

"After accepting an innocuous gift, a poised real estate
broker inadvertently triggers a series of mystical occurrences
which lead to a lethal confrontation with a murderous nihilist
who imperils human existence."
 
Those are actually very common text book ways to approach your work

WHATEVER WORKS FOR YOU!

if it keeps you inspired engaged and interested? It's perfect.

I've seen idex cards, legal pads, time lines, bulletin boards and even someone record the whole book with a tape recorder. In fact there is a VERY famous and successful romance novelist that did this in the 60s and 70s and some others.

Really at this point as much as I hate AI? If you use chatgpt just to get your thoughts together to firm an outline?

That's fine too.
I'm not going to use AI at all. The fact that they have AI that can write my novel in 20 minutes that it's taking me months to complete is sickening. Because it won't be able to do it like people do it.

AI should be for jokes and jokes songs and silly shit, not writing novels, writing books writing movies or anything like that. Leave the creation to creatives.

As far as an outline, I was literally sick the day they taught outlines in school. I had the chickenpox
 
I'm still refining my logline, this is another version of it.

"After accepting an innocuous gift, a poised real estate
broker inadvertently triggers a series of mystical occurrences
which lead to a lethal confrontation with a murderous nihilist
who imperils human existence."
Also, people are stupid and nihilist, I had to look up myself. I was willing to look it up, most people won't. The fact that he was murderous means defining nihilist may not be necessary, but maybe "killer who believes life is meaningless"

I hate that we have to compensate for the ignorant and unintelligent, but 70 million people did vote for Trump, I'm just saying
 
Also, people are stupid and nihilist, I had to look up myself. I was willing to look it up, most people won't. The fact that he was murderous means defining nihilist may not be necessary, but maybe "killer who believes life is meaningless"

I hate that we have to compensate for the ignorant and unintelligent, but 70 million people did vote for Trump, I'm just saying
There are plenty of murderers who are not nihilistic. In it's simplistic form, a nihilist is a person who believes that nothing in life really matters, because we're all going to die anyway.

Whereas there can be many reasons why people commit murder that has nothing to do with nihilism. For instance, some murder because of infidelity; some for greed, some for revenge, some just for power, some just for kicks.

Since no one is paying me to write, I'm not under pressure to perform. I wrote the story for me, but I'm sharing it with everyone. So I'm not going to dumb the story down for anyone.

I think that that's one of the problems with movie screenwriters; they write a certain way, because they don't want the audience to have to think too much. Fuck that, it doesn't hurt to think.

My story isn't for everyone but I enjoyed writing it, so I've already won. Now if I'm lucky, others will enjoy it and there's no telling after that.
 
Here's a possible poster idea for my story.
I did the image in Midjourney...

Sprig-pb.png
 
There are plenty of murderers who are not nihilistic. In it's simplistic form, a nihilist is a person who believes that nothing in life really matters, because we're all going to die anyway.

Whereas there can be many reasons why people commit murder that has nothing to do with nihilism. For instance, some murder because of infidelity; some for greed, some for revenge, some just for power, some just for kicks.

Since no one is paying me to write, I'm not under pressure to perform. I wrote the story for me, but I'm sharing it with everyone. So I'm not going to dumb the story down for anyone.

I think that that's one of the problems with movie screenwriters; they write a certain way, because they don't want the audience to have to think too much. Fuck that, it doesn't hurt to think.

My story isn't for everyone but I enjoyed writing it, so I've already won. Now if I'm lucky, others will enjoy it and there's no telling after that.
I get it 100%. I can't wait to read it
 
Yeah I heard this awhile ago bout Netflix

I get the outrage and his is heartbreaking

but can we be REALLY honest for a minute?

I could EASILY find a hundred posts where dudes say they watched movie on the train plane at work while at their desk while on their phone

Attention spans are sh*t right now
I agree... That's why "GOOD" storytelling is so important. If a person is reading your script or watching your movie and they're distracted, then you as the writer and director wasn't strong enough to hold their attention.

If a smart person is watching a dumbed down movie, of course it's not going to hold his attention. :dunno:
 
Greetings BGOL FAM,
Here's a scene from my screenplay, ONE WISH. It's a supernatural thriller.

This is from the first draft. So now, I'm at the editing stage. I'll go back in and trim things down,
clean up the verbiage, and check the grammar and spelling etc...

Scene Setup:
Pearce (the protagonist) is visiting his friend's home. The house in the Big Bear Lake region of Southern California (A forest area). It's night time, and he goes outside to take the trash out, and to let his friend's dogs (Pope and Preacher) out of their kennel.

He doesn't know that Cyrus, (the antagonist) is lying in wait from the woods, ready to commit murder.



CYRUS
Shhhh. Be quiet my friend. I have a job for you.

Pearce walks out of the house through the front door, carrying a trash bag. He closes the door behind himself. The dogs begin to bark. He walks over to the kennel and lets them out. They run around the property sniffing everything.

He walks through the front gate, closing it behind him. He lifts the trash lid and places the bag into the receptacle. He takes out the cigar and lighter. He cuts the head, then he lights the foot, moving the flame around until the entire foot glows.

He takes a puff from the cigar, blowing it into the wind. Preacher runs up to the gate growling. Pearce looks at him, but he can see that Preacher isn’t growling at him. He turns around and a large BLACK BEAR is barreling down on him. He drops the cigar, raising his hands as high as he can, and starts yelling at the animal.

The bear jumps on top of him, pinning him to the ground. Pearce, in the fetal position, covers his head. Suddenly Pope jumps over the fence and latches onto one of the bear’s paws. Preacher close behind grabs onto the bears neck, shaking and pulling at the animal. Both dogs fight vigorously, shaking and pulling on the holds that they’ve latched on to. The bear is too strong, smacking them both into the fence. He turns his attention back to Pearce who’s running for his life toward the house.

Just as the bear is about pounce on Pearce, a tall emaciated looking animal with four eye sockets and large antlers crashes into the bear’s side, stabbing it and causing it to roll. The bear roars in pain. The animal rushes in again and slaps the bear’s head, ripping half of it’s face off and exposing its brain. The bear is dead. The animal then turns towards Pearce, bugles, then runs behind the house into the night.

Preacher and Pope rush to the dead bear latching onto it again shaking and pulling on it.
 
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Greetings BGOL FAM,
Here's a scene from my screenplay, ONE WISH. It's a supernatural thriller.

This is from the first draft. So now, I'm at the editing stage. I'll go back in and trim things down,
clean up the verbiage, and check the grammar and spelling etc...

Scene Setup:
Pearce (the protagonist) is visiting his friend's home. The house in the Big Bear Lake region of Southern California (A forest area). It's night time, and he goes outside to take the trash out, and to let his friend's dogs (Pope and Preacher) out of their kennel.

He doesn't know that Cyrus, (the antagonist) is lying in wait from the woods, ready to commit murder.



CYRUS
Shhhh. Be quiet my friend. I have a job for you.

Pearce walks out of the house through the front door, carrying a trash bag. He closes the door behind himself. The dogs begin to bark. He walks over to the kennel and lets them out. They run around the property sniffing everything.

He walks through the front gate, closing it behind him. He lifts the trash lid and places the bag into the receptacle. He takes out the cigar and lighter. He cuts the head, then he lights the foot, moving the flame around until the entire foot glows.

He takes a puff from the cigar, blowing it into the wind. Preacher runs up to gate growling. Pearce looks at him, but he can see that Preacher isn’t growling at him. He turns around and a large BLACK BEAR is barreling down on him. He drops the cigar, raising his hands as high as he can, and starts yelling at the animal.

The bear jumps on top of him, pinning him to the ground. Pearce, in the fetal position, covers his head. Suddenly Pope jumps over the fence and latches onto one of the bear’s paws. Preacher close behind grabs onto the bears neck, shaking and pulling at the animal. Both dogs fight vigorously, shaking and pulling on the holds that they’ve latched on to. The bear is too strong, smacking them both into the fence. He turns is attention back to Pearce who’s running for his life toward the house.

Just as the bear is about pounce on Pearce, a tall emaciated looking animal with four eye sockets and large antlers crashes into the bear’s side, stabbing it and causing it to roll. The bear roars in pain. The animal rushes in again and slaps the bear’s head, ripping half of it’s face off and exposing its brain. The bear is dead. The animal then turns towards Pearce, bugles, then runs behind the house into the night.

Preacher and Pope rush to the dead bear latching onto it again shaking and pulling on it.

giphy.gif
 
So I decided to turn my novel idea into a script. I watched a bunch of YOUTUBE and bought 3 books to help me get this started from a layman perspective. As with anything, the first draft is always the hardest. I know there will be a lot of work coming my way if I actually stick to writing this.. what do you think of this so far? Story is about a bunch of teenagers (five exactly) who will take on a warlord and retrieve a magical bracelet from him before he annihilate the world with it. Sylo is the protagonist.
472465846_586378874132315_5873041392112417100_n.jpg

473078414_579504574886615_3022273699739353092_n.jpg
 
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I think that's a good way to go, because somethings will just seem to want to go together.

When I wrote my screenplay, I actually had the end before I had the beginning. Yes, the end was written first.
It was like I was already at the destination, now it's a matter of which way (of many) do I take to get back home. I know it sounds crazy, but that's how it was for me.



My dad's GF does this with her reading.

Reads the ends of books, and then determines whether she wants to go back and read through it to see how the writer(s) got there.
 



An animator has sued Disney for allegedly copying the idea for hit franchise Moana from his decades-old screenplay without his consent.

Buck Woodall filed a suit in a California federal court on Friday claiming that Disney lifted many elements of a screenplay he had written for an animated film titled Bucky.
 
If they'll mess around with this guy, they'll mess around with anyone.
I think independent is the way to go for me, though.


 

 

Curious what SAG-AFTRA will have to say about this.
 


We are so late on this in all parts of the entertainment industry and I mean ALL parts not just writer actor producer

I mean licensed staff too

We never tell the real inside "boring" stories that are critically important to succeeding and have a long standing industry career.

I guarantee so many so called creatives don't know or truly understand these deals and contracts

And the general public just like rap contracts NEVER blame the industry corporations or lawyers

It's always the uninformed artist at fault.
 


Conversation



Roy Wood Jr- Ex Jedi
@roywoodjr
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Pitched a movie to a studio. They liked the idea. They paid me to write the movie. I wrote the movie. After a while, they decided they ain't wanna make the movie. I said "cool. Gimme back the rights to my movie." They said, "Cool. gimme back the money I paid you." I said, "Cool. What's ya cash app?" They said..... "Cool pay us back what we paid you, and if you sell this idea to someone else. give us 4% of that compensation AND give us 4% of any back end profits you make on top of that compensation and if the movie spins off into a TV show you owe us a $5000 per episode royalty on not only that show but on any spin-off shows that emerge from that derivative IP including any characters that weren't in the original script.

This the wild shit you'll never learn about from a podcast or a book or a Masterclass. These broke stingy ass bitches out here asking for alimony. Anyways. 'Transformers One' was amazing. and I'm embarrassed that i watched it on a plane and not in a theatre.
 


For the legal/lawyer folks This script was sold years ago when I had less leverage at the negotiating . standard recoup to release rights is the studio gets back every dollar they put into it. BUT even if those terms were met, the studio still gets to decide whether or not to greenlight the recoup.

If you got front of the kilo, then decide that you wanted to get out the dope game, the dope boy still has to decide whether or not he wants to accept the terms of your exit.

Because my careers at a different point now, they know that this script has a pretty good chance of getting some motion so now (well within the terms of the original contract) they trying to arrange new terms to release the script so they can get a pinch of whatever I make off of it. I wish you all could be on the calls where we negotiate the terms of these contracts with entertainment lawyers. Shit ain’t as clear cut as y’all trying to make it in these comments .

And on top of THAT, truth be told a lot of studios don’t give ideas back because if the idea gets hot somewhere else, the exact that left the ideal walk out the door is going to lose their job.

Im not even trippin. It’s all in the game.

I not giving them a pinch of McDonald’s…I’m about to go and write McDowells. I got enough ideas to write me a hunnid scripts…sheeeiitt
 
‘Sinners’: Ryan Coogler Talks His Most Personal Film Yet & Why He Spoke To Christopher Nolan Before Production


“Each time I’ve made a film, it’s become more and more personal,” says “Black Panther” and “Creed” director Ryan Coogler, who is returning to the big screen in 2025 with his fifth feature film, the period horror “Sinners.” “Sinners” stars Michael B. Jordan – who has featured in all of Coogler’s films to date – as twin brothers Elijah and Elias who, in the Jim Crow era South, try to leave their troubled lives behind, only to discover that an even greater evil is waiting to welcome them back. Coogler touts “Sinners” as his most personal film. “With each film at each point in my life, that statement has been correct, but never like with this one.”

A new trailer for “Sinners” has been released, showcasing Jordan’s dual performance, the vampiric deals with the devil, and the expansive cinematography at the heart of Coogler’s blues horror odyssey, with the entire movie having been shot on 65mm film. “It was an incredible experience,” said Coogler during the trailer preview event. “I got advice from Christopher Nolan and Emma Thomas, who are masters of the form. It was our first time working with large-format photography. We were doing something that hasn’t been done before, combining Ultra Panavision, which is 2.76:1, very wide, with the full frame IMAX film. It is a pretty incredible contrast seeing those together, but it was all to make the experience immersive. It’s my love letter to the theatrical experience, of watching an exhilarating movie in a packed house full of strangers, not knowing what’s going to happen next. So many incredible films have given me that feeling, and so I wanted to try my hand at giving it back to the audience.”

However, it wasn’t just the spectacle Coogler was interested in immersing audiences in, it was the world of his ancestors. “We wanted to let folks experience the world that my grandparents were a part of,” said Coogler. “A time that’s often overlooked in American history, specifically for Black folks, because it was a time associated with Jim Crow. A lot of things that maybe we’re ashamed to talk about. I got to have conversations with my grandmother, who’s nearly a hundred years old, and do some really heavy research. It was exciting, and to bring that time period to life with the celluloid format that was around then with the technological advancements that IMAX can provide. It’s a perfect marriage.”

Coogler was very candid about what inspired him to devise his first movie that is not based on a true story or an existing IP. “With this film, I got a chance to dig into my own ancestral history here in the States,” said Coogler. “I got to dig into two relationships. One was with my maternal grandfather, who died about a year before I was born. He built the house that our whole family lived in. And then my Uncle James, who I came up with my whole life, passed away while I was in post-production on ‘Creed.’ He was from another time in Mississippi. He wouldn’t really talk about Mississippi unless he was listening to the blues, unless he had a little sip of whiskey. The film is about the music that was so special to my uncle.”

In addition to the stories gifted to him by his family, Coogler also elaborated on the supernatural inspirations behind “Sinners.” “A big inspiration for the film is the novel ‘Salem’s Lot,’” said Coogler. “What happens when a town has got a lot of its own issues, has a lot of interesting characters, meet up with a mythological force of nature? That idea was a great way for me to explore some of the real things in this place that my grandparents and uncles, who influenced my life, came from, but also, a lot of American pop culture was birthed here. One of the things we explore in the film is blues music and blues culture, and that became so many of the things that affect what we do today. That music also has a very close relationship with the macabre, with the supernatural. You hear stories about Tommy Johnson and Robert Johnson selling their sousl to learn how to play the guitar, deals being struck, and the toll that talent can take. It used to be called ‘the devil’s music.’ All of these singers, even to this day, they learn how to sing, they learn how to make music in the church, yet they chose to make music that was frowned upon.”

In addition to the trailer, we were treated to an exclusive clip from “Sinners,” a three-minute scene that shows at least one core element of the horror plot: the vampires can infect and take over people, such as Cornbread (Omar Benson Miller), but they cannot enter the spaces occupied by humans without being explicitly invited in. The vampiric Cornbread almost lures one of the twins into a trap and is swiftly met with a bullet through the head in response…which proves useless against a vampire. Coogler hints that ‘Sinners’ has much more in store than just vampire thrills. “The film is very genre fluid,” said Coogler. “Yes, vampires are an element of the movie, but that’s not the only supernatural element. It’s about more than that, and I think it’s going to surprise folks in a good way.”

“I’m blessed in that I had the ability to write and direct this one, and that I was working with my wife as a producer on this,” said Coogler regarding the familial atmosphere on set. “The best thing for me was just working with people who know me who could help to keep me on track.” Most of all, Coogler shared the new ground he explored with Jordan in his dual role. “Both performances are absolutely brilliant. It is Mike, unlike how I’ve ever seen him before, and I know him pretty well. I can’t wait for everyone else to see him.”

Ultimately, despite the grotesque horror and tense thrills of “Sinners,” due to the circumstances under which it was made, Coogler had one more thing to add:

“It’s a family movie. Not for the kids, but in terms of the making of it and the subject matter. Absolutely.”

Directed by Ryan Coogler, “Sinners” arrives in theatres on April 18th, and stars Michael B. Jordan, Hailee Steinfeld, Jack O’Connell, and Delroy Lindo.
 
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