Aquaman Preview: New Scene Descriptions & Plot Details
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Warning: SPOILERS for Aquaman
The mystery of DC's
Aquaman has been partly solved, now that we know how several key scenes involving Arthur's mother, and the hero's own trip to Atlantis will factor into the bigger story. Arranged marriages, broken families, and genuine chemistry are making the
Aquaman movie seem more and more like the old-fashioned adventure DC may need.
Screen Rant got the chance to visit with director James Wan in the
Aquamanediting bay, previewing a number of scenes and breaking down how each sneak peek will turn the former laughing stock of superheroes into something new, something fun, and something we're dying to see the rest of. But for the fans who couldn't see this new footage for themselves, we're breaking down the scenes and the surprisingly key plot details they reveal.
Needless to say, there will be
SPOILERS for
Aquaman ahead.
THE PROLOGUE: AQUAMAN'S PARENTS
After getting another look at the
footage of Aquaman shown in Hall H at this year's Comic-Con, we move onto what looks to be the very opening of the movie, beginning with Jason Momoa narrating the very start of Arthur Curry's origin story. There are only a handful of shots featuring Arthur's parents Tom (Temuera Morrison) and
Queen Atlanna (Nicole Kidman). Fans have seen brief shots of Atlanna washing up on the shore during a massive storm, and Tom picking her up and carrying her indoors.
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After coughing up enough water to embarrass a lifeguard - the first glimpse of the explanation for
how Aquaman can breathe air and water - Atlanna awakens the following day, completely disoriented and more than a little confused at the furry, four-legged, wagging creature living with Tom in his home.
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The romance is understandably fast-forwarded, with Tom explaining the concept of coffee and television (the latter of which Atlanna spears with her massive quindent), before love soon blossoms, and the pair are shown in bed together - Atlanna's belly swollen to fit the growing Arthur.
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As Momoa's narration warns that this union - "a love that should never have been" - may come with a price, the early days of parenthood seem happy enough. Atlanna now donning land-dweller clothing, and considering what to name their son (Arthur goes over well with both parents). Sadly, this picture of domestic bliss can't last.
FIRST ATLANNA FIGHT & HER DEPARTURE
The peaceful seaside home is obliterated in an instant, both figuratively and (at least somewhat) literally. As one wall of the house explodes from an outside attack, the armed guards of Atlantis arrive reciting orders to take Atlanna into custody and return her to Atlantis. The shot of an Atlantean boot crushing a family photo now tossed to the floor isn't exactly subtle, but it gets the point across. Atlanna tells Tom to toss her the quindent she brought with her to shore, and flee with Arthur to safety.
What follows next is an extended fight sequence as Atlanna dismantles the Atlanteans one by one, punctuated by a single long take, following Atlanna as she leaps and slides from one side of the house to the other, kicking, punching, and using her enemies' weapons against them. Eventually, she has subdued every Atlantean... but the point is still made: this home is no longer safe, so long as she lives there. Returning to the Atlantean bodysuit she arrived in, Atlanna gives Arthur and Tom one last embrace, leaves behind her quindent, and promises her husband that she will return when it's safe.
She doesn't, we soon learn, along with the true scale of the damage her actions have wrought on more than one would-be hero.
Aquaman Preview: New Scene Descriptions & Plot Details
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ARTHUR & ORM HAVE A HEART-TO-HEART
The next scene takes place in the "ring of fire" shown in trailers and promotional stills, as Arthur stands face to face with Orm (Patrick Wilson), his half-brother and current occupant of the throne of Atlantis. The scene actually begins with Orm and Mera having words before the coming fight, as the king offers her a piece of jewelry that belonged to his mother, Atlanna. Mera's response is one of anger, suggesting that she and Orm grew up together since childhood, but clearly holding different opinions of his mother.
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Queen Atlanna would be ashamed of Orm's actions, Mera claims, since he is practicing ideologies completely opposed to what she advocated. Orm is unmoved, sending Mera away while revealing that she is intended to be his bride, and future Queen of Atlantis. It's unclear how much of that arrangement Arthur is aware of when he's ushered into this lava-filled room, but he has his own words for Orm.
Their exchange isn't hostile, conveying more depth of character and storytelling than any other (far less fantastical or 'whimsical' than the prologue). When Arthur tells Orm that he spent his entire life wishing he could meet his little brother, and tell him he wasn't alone, the words have a visible impact on the apparent villain. When Arthur regretfully says he now wishes he knew
"what a dick he'd turn out to be," it's not delivered as the punchline it could be. When Orm responds by defining Arthur as the reason their mother was -
SPOILER - executed, it becomes obvious that both sides of this dispute have reason to feel justified.
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Orm respects Arthur's claim to the throne, but the half-land-dweller must convince Atlantis that he is a worthy king by defeating his true Atlantean kin. A task easier said than done, which is why Orm seems to convincingly ask Arthur to take his offer: leave Atlantis, and never return. Arthur refuses, and with one last expletive to himself, heads up into the battle.
ARTHUR & ORM FIGHT
It's here where James Wan and his team dive headlong into fantasy once again, as the massive gladiator arena is placed amongst/throughout massive rock statues of armored warriors. The lights used to illuminate the action for the crowd? Jellyfish. The warlike drumming to set the mood? Played by octopus, rhythmically pounding like a mature take on Disney's "Under The Sea." And Orm is done playing nice.
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The
slamming together of the two fighters' tridents to begin the fight is shown in the trailer (not the impact shockwave, which comes later, caused by Arthur and Orm smashing into each other head on). Orm notes that Arthur uses his mother's weapon: strong, elegant, but
flawed - like her. He instead uses his father's weapon, which has known only victory. The brawl that follows is a promising use of the freedom water affords, which we cover in great detail in our look at how Aquaman's underwater fighting differs from
Justice League.
But before Orm is able to defeat the seriously-unprepared Arthur, Mera leaps from her balcony to intervene. Creating a massive column of air (as she did in
Justice League) Orm is temporarily disarmed. As she sends the water slamming back down on top of him, Arthur hops into her aquatic getaway car, and they're off.
ARTHUR & MERA HEAD TO THE DESERT
The final scene shown to us as part of our visit appears to be an uncut version of Arthur and Mera skydiving out of their airplane over the Sahara desert. The new detail is the pocket sized, holographic map Mera is using to track an unknown target (a sign of Atlantean technology far beyond mankind's). Despite being in the middle of a massive desert, she bolts upright to exclaim that they have "arrived" over the desired location, and leaps from the plane. Following after her, both Mera and Arthur slam into the sand without parachutes - confirming just how much more durable they are than regular humans.
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The scene that follows consists solely of Mera and Arthur picking their way across the sands to wherever it is Mera is taking them (a spot fans now know is the lost Atlantean temple swallowed up by the sand). As Arthur laments her decision to put them in as isolated and barren a place as can be found on Earth, Mera mocks Arthur for choosing such a surface world to inhabit. Momoa's frustrated replies that not ALL of the surface world is desert, and Heard's own pestering over mankind's tendency to pollute and poison shows how their chemistry can rise to crowd-pleasing levels.
The selling point of their banter is Momoa's own energy and charisma, with Heard's aside to nobody that 'Atlantis is in trouble' if he's their best hope rings more old-fashioned than modern action-adventure, but with
Romancing The Stone as one of Wan's biggest inspirations, we supposed that's to be expected.