Movie News: Ryan Coogler & Michael B. Jordan - SINNERS - jim crow era vampire flick (SPOILERS OPEN!!!)

Caligua was a big budget "mainstream" porn, there is a horrible sect of Kendrick fans who create deep hidden messages where there are none.

This movie is chock full of so many themes and meanings (to be near easter egg porn) that unfortunately certain people will try to attach everything and anything to it.
You mean like Michael K Williams? Got it lol
 
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ladies and gentlemen...

we officially have a new addition to the bgol lexicon

:cheers:

man please :lol:

lol yeah I can't take credit for that term...that term was invented by legendary anti racism educator Jane Elliot
 
I'm gonna be completely honest. In the first half, I was locked the fuck in. Like was legitimately enjoying it. When the vampire shit started though, I lost interest like hell. I still liked it overall but man I went in blind not knowing it was supposed to be a horror thing. For me, the vampire part of it just didn't fit well. It came in too fast and I was kinda like, how did we get here?
 
I'm gonna be completely honest. In the first half, I was locked the fuck in. Like was legitimately enjoying it. When the vampire shit started though, I lost interest like hell. I still liked it overall but man I went in blind not knowing it was supposed to be a horror thing. For me, the vampire part of it just didn't fit well. It came in too fast and I was kinda like, how did we get here?

You didn't know it was vampire movie before you went into the theatre?
 
My brother...I had black women buying me snacks, people talking drinking before and after.l, hugs handshakes from strangers. White people scared as f**k to say anything.
I imagined a scenario like this but for a video game developed by a Black studio..Geoff Keighley be announcing it at the Summer Games Show and is forced to say it's for XBox first,THEN Playstation 5 :giggle: :roflmao2:
 
And I completely get that. You ate not alone

It was a risk a big swing

Not everyone gonna like it.

I'm just surprised the reasons people give as to why they don't like it.

Yeah I HATE musicals and musical numbers...

But I LOVED that scene

It was a profound visual representation of the power of our music and creativity from the motherland to Brazil and the Americas throughout different genres and timespans and how through every iteration and generation there were vampires and vultures at the gates trying to get in and feed off of our culture If we let them.

It was a Tonal shift...a genre shift... and an Anachronistic stew that can be jarring when watching a period piece....I usually don't like modern elements in period pieces but this ain't even take me out of the film because I understood was being communicated in that moment..

But I totally get it if people didn't like it
 
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I'm gonna be completely honest. In the first half, I was locked the fuck in. Like was legitimately enjoying it. When the vampire shit started though, I lost interest like hell. I still liked it overall but man I went in blind not knowing it was supposed to be a horror thing. For me, the vampire part of it just didn't fit well. It came in too fast and I was kinda like, how did we get here?
It took about an hour for them to get to the vampire part.
 
Lmaoooo… comedies do well in the world.. that soulless cac tap been out for decades and they were selling tapes so I know he was making millions off tours , features and tapes.. never looked up the revenue hough

more like $500 Million STILL



You probably don't remember the commerials on NBC and channel 5. Those shows were sold out everyway and then vegas and then a world tour. Dude had an MC Hammer like crew. And he made SURE his money was right. Back folks went JUST to see wtf was going on.

Flatley was like their Joker or Luka or Eminem!

He STILL getting paid off that Tall!

I SEE what Coogler was trying to show us.
 
no, there are not.

no "institute of proper vampirism in media" was ever created. neither has there ever been official vampire lore that must be adhered to.

all of it is public domain, non copyrighted, mythological, and completely up to any author to make it into anything they want it to be.

you may get copyrights to your version, but nobody can tell you how to present it or dictate the rules to your story.

i just explained the law as it pertains to vampire lore.
Couldn't have put it better myself.
 
FINALLY got all chance to see it this weekend.

was trying my hardest to avoid this thread and real in depth discussions about it for the few days leading up to seeing it..

Man...so much to say about this film...to simply label it a vampire flick, or an action flick, a period piece etc. doesn't do it justice. It was a genre bending, intellectually and emotionally satisfying piece of visual art highlighting the rich tapestry of African American history, cultures, resilience, strength and power....

Wife went in to it with minimal knowledge of the plot, actors etc. I didn't let her know anything else...neither of us are fans of horror, vampire flicks etc. but we're pro-black and it was overstood that this would be so much more than just a vampire movie. she was clutching her pearls, grabbing my arm really for dear life, jumping out of her seat at times and emotional during others. She exclaimed "Now THATS how you make a movie!!" at the very end.

We decided to go at 3pm on a Sunday afternoon to a local theatre..we were initially gonna go to the 70mm Imax about 45 mins away but elected to go with the comfort of premium heated/cooling reclining seats, better popcorn and a private enclave viewing experience. The theatre was packed on a Sunday afternoon...3pm. Mixed crowd...a lil too much melanemic people for my tastes but it was expected in that area.

We left immediately wanting to watch it again and felt empowered and I also felt sad that there's so many people out there that may have viewed the film that dont have enough knowledge of self, history, or culture etc to connect with it on the level that a lot of us do....they don't know anything about sharecropping....Jim crow... Geechie Gullah....Hoodoo, our connection to our ancestors, the diasporic connective tissue in music, culture,struggle that links all of us in the global majority....the language....The south in the 1930's....the origin of blues...The importance of Gatekeeping our culture, and those who want to pilfer from it in a vampiric way... Mississippi..."Passing" and the One drop rule.... how other groups like the "chinese, and the irish used black people to fit into the whiteness that they needed to advance themselves....The trail of tears...the legend/myth of Robert Johnson...Creole,

Coogler is a genius and cementing himself among the Greats
This is a wonderful post.

I try to think of being African spatially. There are continental Africans that know, folks in the Caribbean that don’t know, and there are folks in the middle of this nonsense that don’t know. Conversely, there are folks in this mess that know about continental Africa, folks in the Caribbean that know about Africa, and there are Africans that don’t know about the happenings of continental Africa while there.

Arriving in The Nonsense from the Caribbean, I didn’t know what the folks here been through. However, I knew from my personal experiences there was something tragic that happened to “Us”; I knew something in my DNA that made me feel the way I felt but I couldn’t label that feeling.
I'm gonna be completely honest. In the first half, I was locked the fuck in. Like was legitimately enjoying it. When the vampire shit started though, I lost interest like hell. I still liked it overall but man I went in blind not knowing it was supposed to be a horror thing. For me, the vampire part of it just didn't fit well. It came in too fast and I was kinda like, how did we get here?
I’ve always considered myself anti power and reasoned if i lived 5000 years ago, I would be anti pharaoh. I’ve posted that King Tut had to be murdered not just because he couldn’t knock up his sister, but the man clearly was trying to rewrite history. I’m down with the people and I’m all for the truth. I don’t see the world chronologically. I see the world through human behaviors over time. When I saw us being connected through time, I saw the Dogon dancing for stars that Europeans didn’t even know exist. We have dances for stars, bruh. When I saw that scene, I cried and was able to relax. Yeah the non-black females ruined the night. But a black man also killed a legion of white men to be with his child and wife forever. In my world, Martin and Coretta are with Dexter over at Malcolm and Betty’s home with their grandson Malcolm at the dinner table.
 
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