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Emilia Pérez star Karla Sofía Gascón stokes controversy over past social media posts, quotes about fellow Oscar nominee​

While EW has learned that Gascón's comments about Fernanda Torres do not go against Academy campaign guidelines, alleged resurfaced posts drew ire on X.
By Joey Nolfi

Published on January 30, 2025 06:09PM EST

Emilia Pérez. (L-R) Karla Sofía Gascón as Emilia Pérez and Adriana Paz as Epifanía in Emilia Pérez

Karla Sofía Gascón and Adriana Paz in 'Emilia Pérez'. Photo:
PAGE 114 - WHY NOT PRODUCTIONS - PATHÉ FILMS - FRANCE 2 CINÉMA
As Emilia Pérez star Karla Sofía Gascón caused a stir — and speculation that she'd broken campaign rules in the Oscars race — over recent quotes about digital campaign tactics related to fellow Best Actress nominee Fernanda Torres, she now faces backlash over past social media posts that have resurfaced online.

In a Jan. 21 Spanish-language interview with international publication Folha de S. Paulo, Gascón — the first-ever openly trans person nominated for an acting Oscar — praised Brazilian I'm Still Here star Torres as a "wonderful woman" who "deserves all the recognition in this world," before highlighting what Gascón felt was a "social media team that works around all these people trying to discredit other people's work," according to an independent translation by Entertainment Weekly.

"To highlight the work of one person you don't need to destroy the work of others. At no time have I seen anyone speaking badly of Fernanda Torres or Fernanda Torres' film," Gascón said. "But on the other hand I see [many] people who work in Fernanda Torres' environment who speak badly of me and Emilia Pérez, I think that says more about them and their film than mine."

Emilia Pérez star Karla Sofía Gascón makes Oscars history as first trans woman nominated in acting category

In a follow-up statement provided to EW via email through Emilia Pérez distributor Netflix, Gascón clarified that she's "an enormous fan of Fernanda Torres" and was not making accusations toward the actress or her team.

"In my recent comments, I was referencing the toxicity and violent hate speech on social media that I sadly continue to experience. Fernanda has been a wonderful ally, and no one directly associated with her has been anything but supportive and hugely generous," the statement reads.

Still, many social media users speculated that the segment from Gascón's Folha de S. Paulo's interview violated the Academy's official regulations regarding campaigns and film promotion. EW has since learned that Gascón's comments didn't violate such regulations that stipulate "members, motion picture companies, and individuals directly associated with an eligible motion picture should be mindful of the impact their public communications may directly or indirectly have on the promotion of a motion picture, performance, or achievement, as well as the awards process" — including sharing "misleading or false information about a motion picture, performance, or achievement."

FERNANDA TORRES as Eunice in I'm Still Here

Fernanda Torres in 'I'm Still Here'.
Courtesy of Sony Pictures Classics
Just as the dust was settling on that controversy Thursday morning, screenshots of controversial posts from Gascón's X account were shared by writer Sarah Hagi. The posts — some of which appear to have been deleted and EW was not able to independently verify — included language that disparaged Islam, including a 2016 post that read "Islam is becoming a hotbed of infection for humanity that urgently needs to be cured," according to a translation included in the screengrab.

According to a Google-provided translation of another post from 2021 that still up, Gascón wrote: "The West should ban Islam and any political or religious manifestation that violates human rights and universal values. Paradoxically, there is no other way to enforce rules than to have rules and enforce them." A threaded post continued, "Obviously, I will never defend Islam or any religion. They all try to destroy human rights in favor of their stupid beliefs without sense or reason, ALL OF THEM. Human beings are imbeciles by nature and religions are proof of that. STOP RELIGIONS."

Variety reports that in other since-deleted tweets, Gascón made troubling comments about the murder of George Floyd, diversity at the Oscars, the Black Lives Matter movement, and the COVID-19 vaccine.

"More and more the #Oscars are looking like a ceremony for independent and protest films, I didn’t know if I was watching an Afro-Korean festival, a Black Lives Matter demonstration or the 8M,” Gascón purportedly wrote in 2021 per Variety. “Apart from that, an ugly, ugly gala.”

Sign up for Entertainment Weekly's free daily newsletter to get breaking TV news, exclusive first looks, recaps, reviews, interviews with your favorite stars, and more.

EW has reached out to representatives for the Academy, Gascón, I'm Still Here, and Netflix for comment.

Outside of recent ire she drew online, Gascón blazed a trail throughout the current awards race thanks to her role in the 2024 musical thriller Emilia Pérez, in which she stars as a crime lord who builds a new life as a transgender woman while enlisting a lawyer (Zoe Saldaña) to help her disappear from the lives of her children and wife (Selena Gomez). On Oscar nominations morning, Best Actress contender Gascón became the first openly trans woman to be nominated for an Academy Award in any acting category.
 

playahaitian

Rising Star
Certified Pussy Poster

Emilia Pérez star Karla Sofía Gascón stokes controversy over past social media posts, quotes about fellow Oscar nominee​

While EW has learned that Gascón's comments about Fernanda Torres do not go against Academy campaign guidelines, alleged resurfaced posts drew ire on X.
By Joey Nolfi

Published on January 30, 2025 06:09PM EST

Emilia Pérez. (L-R) Karla Sofía Gascón as Emilia Pérez and Adriana Paz as Epifanía in Emilia Pérez

Karla Sofía Gascón and Adriana Paz in 'Emilia Pérez'. Photo:
PAGE 114 - WHY NOT PRODUCTIONS - PATHÉ FILMS - FRANCE 2 CINÉMA
As Emilia Pérez star Karla Sofía Gascón caused a stir — and speculation that she'd broken campaign rules in the Oscars race — over recent quotes about digital campaign tactics related to fellow Best Actress nominee Fernanda Torres, she now faces backlash over past social media posts that have resurfaced online.

In a Jan. 21 Spanish-language interview with international publication Folha de S. Paulo, Gascón — the first-ever openly trans person nominated for an acting Oscar — praised Brazilian I'm Still Here star Torres as a "wonderful woman" who "deserves all the recognition in this world," before highlighting what Gascón felt was a "social media team that works around all these people trying to discredit other people's work," according to an independent translation by Entertainment Weekly.

"To highlight the work of one person you don't need to destroy the work of others. At no time have I seen anyone speaking badly of Fernanda Torres or Fernanda Torres' film," Gascón said. "But on the other hand I see [many] people who work in Fernanda Torres' environment who speak badly of me and Emilia Pérez, I think that says more about them and their film than mine."

Emilia Pérez star Karla Sofía Gascón makes Oscars history as first trans woman nominated in acting category

In a follow-up statement provided to EW via email through Emilia Pérez distributor Netflix, Gascón clarified that she's "an enormous fan of Fernanda Torres" and was not making accusations toward the actress or her team.

"In my recent comments, I was referencing the toxicity and violent hate speech on social media that I sadly continue to experience. Fernanda has been a wonderful ally, and no one directly associated with her has been anything but supportive and hugely generous," the statement reads.

Still, many social media users speculated that the segment from Gascón's Folha de S. Paulo's interview violated the Academy's official regulations regarding campaigns and film promotion. EW has since learned that Gascón's comments didn't violate such regulations that stipulate "members, motion picture companies, and individuals directly associated with an eligible motion picture should be mindful of the impact their public communications may directly or indirectly have on the promotion of a motion picture, performance, or achievement, as well as the awards process" — including sharing "misleading or false information about a motion picture, performance, or achievement."

FERNANDA TORRES as Eunice in I'm Still Here'm Still Here

Fernanda Torres in 'I'm Still Here'.
Courtesy of Sony Pictures Classics
Just as the dust was settling on that controversy Thursday morning, screenshots of controversial posts from Gascón's X account were shared by writer Sarah Hagi. The posts — some of which appear to have been deleted and EW was not able to independently verify — included language that disparaged Islam, including a 2016 post that read "Islam is becoming a hotbed of infection for humanity that urgently needs to be cured," according to a translation included in the screengrab.

According to a Google-provided translation of another post from 2021 that still up, Gascón wrote: "The West should ban Islam and any political or religious manifestation that violates human rights and universal values. Paradoxically, there is no other way to enforce rules than to have rules and enforce them." A threaded post continued, "Obviously, I will never defend Islam or any religion. They all try to destroy human rights in favor of their stupid beliefs without sense or reason, ALL OF THEM. Human beings are imbeciles by nature and religions are proof of that. STOP RELIGIONS."

Variety reports that in other since-deleted tweets, Gascón made troubling comments about the murder of George Floyd, diversity at the Oscars, the Black Lives Matter movement, and the COVID-19 vaccine.

"More and more the #Oscars are looking like a ceremony for independent and protest films, I didn’t know if I was watching an Afro-Korean festival, a Black Lives Matter demonstration or the 8M,” Gascón purportedly wrote in 2021 per Variety. “Apart from that, an ugly, ugly gala.”

Sign up for Entertainment Weekly'sfree daily newsletter to get breaking TV news, exclusive first looks, recaps, reviews, interviews with your favorite stars, and more.

EW has reached out to representatives for the Academy, Gascón, I'm Still Here, and Netflix for comment.

Outside of recent ire she drew online, Gascón blazed a trail throughout the current awards race thanks to her role in the 2024 musical thriller Emilia Pérez, in which she stars as a crime lord who builds a new life as a transgender woman while enlisting a lawyer (Zoe Saldaña) to help her disappear from the lives of her children and wife (Selena Gomez). On Oscar nominations morning, Best Actress contender Gascón became the first openly trans woman to be nominated for an Academy Award in any acting category.


 
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Helico-pterFunk

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I must say, this has been a good January for me. I was pleasantly surprised by a lot of these movies. I wasn't touching and giving that Mel Gibson movie a dollar. I also decided not to see Wolf Man. I saw way too many bad movies in 2024, and need to stop wasting my time.

The less you know about this the better, the only thing I knew was that it was getting good reviews and the most basic detail. The final trailer I hear is a spoiler.

It's a fun and rather simple movie. It gives you a few twist to stop it from being predictable. Dennis Quad's kid and the Heretic chick did a good job.

The friend group seems mismatched, but it's a solid movie deserving of a watch. It could have leaned more into the R. It was a little inconsistent.
 

Helico-pterFunk

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I must say, this has been a good January for me. I was pleasantly surprised by a lot of these movies. I wasn't touching and giving that Mel Gibson movie a dollar. I also decided not to see Wolf Man. I saw way too many bad movies in 2024, and need to stop wasting my time.

The less you know about this the better, the only thing I knew was that it was getting good reviews and the most basic detail. The final trailer I hear is a spoiler.

It's a fun and rather simple movie. It gives you a few twist to stop it from being predictable. Dennis Quad's kid and the Heretic chick did a good job.

The friend group seems mismatched, but it's a solid movie deserving of a watch. It could have leaned more into the R. It was a little inconsistent.




 

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PRAISE: Ever since the 2013 movie HER writers of TV shows and movies have been expanding on the idea of having A.I or an android as a lover and a friend. Will people accept it,will the android stay even if it became self aware ? In this movie Iris (Sophie Thatcher) the companion and Josh (Jack Quaid)ride into the sunset for a nice weekend with friends but soon nice goes to nasty. The cast including Lukas Gage, Megan Suri, Harvey Guillen, Rupert Friend all do very well with their roles. Thatcher and Quaid are the standouts as their loving relationship keeps evolving throughout the movie. I liked how the layers were pulled back on what I thought occurred between the characters. I enjoyed how so many tropes were played with about androids and AI. Self awareness, usefulness and when that usefulness starts to thin out. Good twists and turns are provided that I actually didn't see coming. The movie is not overly gory but it has one of the most unique kills I've ever seen in a movie.

PROBLEMS: I wish the movie had gone back to a certain action that was going to take place at the beginning of the movie it felt like a loose end. There were some moments that just felt like basic thriller paths.

Scale of 1 to 10 an 8
 

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Writer and producer Barry Michael Cooper has died in Baltimore, Maryland ... TMZ has learned.


Cooper wrote a series of iconic 1990s movies, including "New Jack City," starring Wesley Snipes and Chris Rock ... "Above The Rim," starring Tupac Shakur ... and "Sugar Hill." He also produced the 2017-2019 TV series "She's Gotta Have It," based on the Spike Lee film of the same name.






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joneblaze

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PRAISE: A Character being seduced in a movie is definitely nothing new but Writer and Director Halina Reijn definitely infuses some new life into some well worn tropes as business woman,wife and mother Romy (Nicole Kidman),finds herself on the seductive path of intern Samuel (Harris Dickinson). I liked how Romy is presented at the start of the film. I could see her desire,being unsatisfied sexually making her fall into a well of seduction very easy. She's drawn in by the control Samuel wants to take of her. Turning her no's into quick yeses. So many moments click between Kidman and Dickinson it's incredible to watch the two in their scenes together and not just the erotic ones. I loved the moments that displayed Romys regret and desire simultaneously. Dickinson wears such a poker face and his character chooses so many angles i really didn't know what his endgame was until the end.I admire the commitment both actors had to their roles and the trust they highly likely had to have between each other. Reijn captures all the nastiness that can spring from an affair. As Romys husband Jacob,Antonio Banderas definitely is given a great moment to shine and Sophie Wilde as Esme is also given a powerful and realistic moment. I couldn't help but think about the 1986 movie 9½ Weeks while watching this and that's a huge compliment.

PROBLEMS: I couldn't get on board with how casual a character was about doing something especially with the scene that came before it. Actually there was a casual vibe between multiple characters that just didn't ring true to me.

Scale of 1 to 10 an 8½
 

playahaitian

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Babygirl




PRAISE: A Character being seduced in a movie is definitely nothing new but Writer and Director Halina Reijn definitely infuses some new life into some well worn tropes as business woman,wife and mother Romy (Nicole Kidman),finds herself on the seductive path of intern Samuel (Harris Dickinson). I liked how Romy is presented at the start of the film. I could see her desire,being unsatisfied sexually making her fall into a well of seduction very easy. She's drawn in by the control Samuel wants to take of her. Turning her no's into quick yeses. So many moments click between Kidman and Dickinson it's incredible to watch the two in their scenes together and not just the erotic ones. I loved the moments that displayed Romys regret and desire simultaneously. Dickinson wears such a poker face and his character chooses so many angles i really didn't know what his endgame was until the end.I admire the commitment both actors had to their roles and the trust they highly likely had to have between each other. Reijn captures all the nastiness that can spring from an affair. As Romys husband Jacob,Antonio Banderas definitely is given a great moment to shine and Sophie Wilde as Esme is also given a powerful and realistic moment. I couldn't help but think about the 1986 movie 9½ Weeks while watching this and that's a huge compliment.

PROBLEMS: I couldn't get on board with how casual a character was about doing something especially with the scene that came before it. Actually there was a casual vibe between multiple characters that just didn't ring true to me.

Scale of 1 to 10 an 8½

Excellent review
 
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