Official Discussion: Loki on Disney+ June 11 2021 UPDATE: Season 2 - Oct. 6

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‘Loki’ Episode 4 Mid-Credits Scene Explained — as Best We Can
We got a lot of bombshell revelations this week, but none is bigger than the one at the very end
Phil Owen and Ross A. Lincoln | July 2, 2021 @ 3:21 PM

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(This article contains some MAJOR spoilers for the fourth episode of the Disney+ series “Loki”)
After last week’s rather leisurely episode, the non-stop barrage of enormous plot twists in a row in the fourth episode hit us like a ton of bricks. The last 20 minutes or so of the episode brought us a veritable fast and furious cavalcade of revelations. It overloaded out brains just a little bit, because it’s not so easy to grasp all the ramifications of everything we learned this week. But let’s focus on the end, which gave us the biggest surprise of all.
The climax this week saw Loki (Tom Hiddleston) and Sylvie (Sophia Di Martino) finally take down the Time-Keepers — who are apparently just robots, puppets for whoever is actually running the TVA. That’s a big deal, but not that surprising. I think we all kinda guess there was some kind of “Wizard of Oz” situation going on with those guys.

It’s after the bit when we get the real kicker though, when Ravonna Renslayer (Gugu Mbatha-Raw) finally gets what she wanted all along: to prune Loki.
Fortunately, our Loki is not dead yet. Or at least he isn’t completely dead. Or if he’s dead, it’s not in the normal way. This episode contains a mid-credits stinger, which follows up on where Loki went after he got zapped. Maybe this is another thing the TVA has been lying about this whole time. Maybe they aren’t actually getting rid of any of the variants they catch.
Also Read:
Will Loki and Sylvie Actually Hook Up?
In any case, in the mid-credits scene, Loki wakes up in what looks a lot like a post-apocalyptic Earth city.
“Am I dead?” Loki asks no one in particular.
“Not yet,” a disembodied voice answers. “But you will be unless you come with us.”

Loki looks up, and seems pretty shocked by what he’s looking at: an old Loki wearing a pretty outstanding old comic book costume (Richard E. Grant finally shows up!), a Kid Loki, an alligator or crocodile wearing a Loki crown, and a Black Thor who’s wielding a version of Mjolnir that looks like it was made from a large wrench and a piece of a metal beam.
It’s a lot to process, but first things first. Black Thor. There has never been a Black Thor in the Marvel comics — that is, a son of Odin named Thor who is Black. But there is a story in which there is a group called the Thor Corps, in which several Black superheroes — Falcon, War Machine and Blade, to name three — functioned as Thor, each with their own Mjolnir hammers and everything.
Also Read:
‘Loki': What It Means That All the TVA Folks Are Variants
The Thor Corps is from a place called Battleworld, a planet created by Doctor Doom after the multiverse collapsed one time. This planet featured places from a bunch of different realities and jammed them all together like countries on a globe. The Thor Corps are the cops of this place.
The actor playing Thor here, Deobia Oparei, is obviously not an MCU hero that we already know filling in as Thor. Whatever his deal is, it’s probably not something from the comics. Probably. We can’t help but wonder if that destroyed city could be on Battleworld. It would fit with all this multiverse stuff.
But that seems very unlikely. As with all things MCU, we’re probably not going to be able to figure out what’s going to happen from reading the comics. That said, we definitely know a lot about that Kid Loki from the comics, and the Kid Loki stories give us a sneaking suspicion that we might know who that Old Loki is too: Ikol, whose name is just Loki spelled backwards. In the comics, Ikol is a big part of Kid Loki’s story.

As always, this stuff is exceptionally convoluted thanks to decades of muddled comics continuity. So keep that in mind.
Also Read:
Did We Just See the Beginning of the MCU Multiverse on ‘Loki’?
Kid Loki is the nickname for the reincarnation of Loki that debuted in 2010, created by writer Matt Fraction and artist Pasqual Ferry.
The original Loki was killed during the events of the comics’ Ragnarok storyline. Then, by stealing a body meant for Lady Sif, was resurrected as a woman known as Lady Loki. Then, after a bunch of evil machinations, Loki was restored to male form.
Once again a man, Loki did some more evil things, changed sides at the last minute to help The Avengers, and then died (again). Thanks to his being super manipulative, Loki managed to get his name deleted from the book of Hel and was reincarnated as a young boy who lacked any memory of the evil things he’d done in his former life.
Kid Loki was roundly rejected by everyone who knew his former self, but he nevertheless tried to win them over and also be a better person, with mixed results. Again, this is VERY convoluted but basically Kid Loki joins the Young Avengers, sorta betrays them, dies more than once, and after being brought back through magic, apparently dies for real during the “Asgardians of the Galaxy” limited series of Marvel comics.
Also Read:
Kang the Conqueror is Probably Gonna Show Up on ‘Loki’ At Some Point, Right?
Don’t worry, by this point the original Loki had managed to return, thanks to the introduction of Ikol. He was created by — again, we’re sorry, this is super confusing — Kid Loki.
Created by writer Kieron Gillen and artist Stephanie Hans in 2011, Ikol started out as the remaining bits of original Loki’s soul that existed within Kid Loki. After a weird struggle with that stuff, Kid Loki turned those remaining Original Loki soul bits into a magpie that he named Ikol (Loki, backwards) and condemned it to be his minion.
Ikol becomes Kid Loki’s companion and nuisance, and the two have a lot of adventures. Basically, Ikol exists to be the devil on Kid Loki’s shoulder. Eventually, Ikol and Kid Loki sort of merged into a single being that basically restored something close to the original Loki to life. This, by the way, involved Mephisto, because of course it did.
There’s a lot more, involving a possible future version of Loki called King Loki, but we’ll just worry about that later.
Also Read:
‘Loki’ Director Breaks Down Why They Created Miss Minutes for Disney+ Series
As for Gator Loki, we don’t have anything other than a silly version of Thor from the comics to go on here. Our best guess is he’s a variant meant to be the show’s version of Simon Walterson, a normal human in the Marvel Comics universe who was turned into a frog by a wizard and subsequently known as “Puddlegulp.”
Puddlegulp teamed up with Thor — who had been turned into a frog himself — and ended up coming into possession of a sliver from Mjolnir. Puddlegulp forged that sliver into a mini version of Mjolnir called Frogjolnir, which turned him into Throg, the Frog of Thunder. He was, by the way, created by the legendary Walter Simonson in 1986 — though Puddlegulp didn’t become the Frog of Thunder until 2017. That whole thing, obviously, was intended to be funny.
Whether Grant is actually playing Ikol or if these are just other random Loki variants that ended up in this mysterious place is something we’ll have to wait to find out about. And we have a lot more questions about that place, like whether all the pruned variants — like Mr. Mobius! — ended up there too. It probably is just some alt-Earth, and not Battleworld, but it’s a fun possibility to consider.
We could endlessly discuss all the ramifications of this crazy shot that’s going to spark so much chatter online in the next few days, but for now we’ve got a good starting point.
 

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Loki boss on Frog Thor, Loki and Sylvie's bond, and why Marvel isn't like the TVA

By Chancellor Agard
July 09, 2021 at 12:19 PM EDT


Warning: This article contains spoilers about the fifth episode of Loki.

Loki's time is almost up.

In the Disney+ drama's penultimate episode, Tom Hiddleston's God of Mischief teamed up with Sylvie (Sophia Di Martino) to defeat Alioth, the smokey monster patrolling the Void, and hopefully uncover who is pulling the strings behind the TVA. After successfully enchanting the beast, they discovered a mysterious fortress on the other side of the Void, leaving the audience on quite a cliffhanger as we head into next week's finale, which hopefully provide many answers.

Ahead of Loki's last installment, EW hopped on the phone with head writer Michael Waldron (Doctor Strange in the Multiverse of Madness, Heels) to discuss Frog Thor, Alligator Loki, Loki and Sylvie's intriguing relationship, and more.
Tom Hiddleston as Loki; 'Loki' head writer Michael Waldron (inset).

ENTERTAINMENT WEEKLY: Let's start with Frog Thor. Episode 4 writer Eric Martin mentioned on Twitter that you guys actually filmed a scene with Loki and Frog Thor in the time theatre for the premiere. What actually happened in the scene?

MICHAEL WALDRON:
There was a version alongside the D.B. Cooper sequence of kind of Loki's Greatest Hits. There was another greatest hit of the time that Thor was turned into a frog and that's in this case left to the imagination. But yeah, we did almost get there in there. But I am glad that we see that Frog Thor.

Episode 5 had a lot of Easter Eggs like Frog Thor and the Yellowjacket helmet. How many of those were written into the script versus being added while shooting or in post?
It's kind of a combination of all of those. I would probably give more credit to Kate [Herron], the director, and to the production team and VFX, and all those guys. There were a few I wrote in there. I think that I was probably more focused on, "Alright, how the hell do we make Alioth make sense?" [Laughs] But yeah, it was kind of a team effort getting that stuff in there. Like the Thanos-copter, that was the production team. They did an amazing job really making the episode a treat for fans in that way.

This morning, you shared a photo of your Alligator Loki birthday cake from 2019. Where did the idea to include Alligator Loki come from?
That one was me. That one I'll take credit for. That was a thing that came out in one of my very first meetings with Marvel. It was just, as I was talking about what the show should feel like, [I said], "You should feel like anything can happen, that we can do anything, anything in this show." And one of those [was], "We can have an Alligator Loki." And that was an idea that just kind of stuck, and now here we are.

Eric also revealed that Loki and Sylvie joining hands to enchant Alioth in episode 5 arrived late in the game. What was the original plan there, and how did you move from that to the hand holding?
There's a lot of different versions of, how do you communicate with this thing and is there actually a dialogue? I think at one point Alioth was running his mouth to the guys and there was a frank exchange of ideas back and forth. But that was just a constant whittling down [to], what is the simplest version of this? And that was working with Kate, Eric, and the whole team of just like, how do we just hit on what's the most visually and emotionally impactful for this climactic sequence? There was always going to be a joining of hands at some point there, but what became a really cool idea was joining hands to actually pull it off.

You mentioned how you were focused on making Alioth make sense. When I watched the episode, I was immediately thought of Aladdin's Cave of Wonders when we saw Alioth for the first time. Then, of course, it reminded me of Lost's smoke monster, too. Did you and Kate have those references in mind as you were trying to figure out how to bring this Marvel character to life?
You know, interestingly enough — the Smoke Monster, the Man in Black [from Lost], of course you see that — [but] I was just thinking about Twister, you know a living tempest. I love storms. Episode 2 has a storm. So, I was thinking Loki and Sylvie are Bill Paxton and Helen Hunt in Twister. That was kind of my reference point for it.

Is the audience supposed to interpret Loki's love for Sylvie as the only person Loki could possibly fall for or sacrifice himself for is Loki? How were you thinking about that dynamic?

I think that Loki is very much a work in progress. As he said, "I've never done this before." He doesn't quite know what he's feeling, how to feel it, and like the audience, he's still trying to figure it out, and I like that.

It definitely comes across as some sort of love story, but there's also aspects of self-redemption. How did you approach writing this tricky and unique relationship?
[Laughs] We felt it was a really unique, cool idea, and we just wanted to do something that always felt truthful to the characters, that felt truthful to who Loki is and to who he is at this point in the story. This is a character that, as he says to Mobius [Owen Wilson], has always thought of himself as a villain. In meeting Sylvie and having a mirror held up to him, for the first time he feels something else about himself; he feels affection. And in Sylvie, he sees things to admire in himself, and I just think that was a rich thing to explore.
Loki (Tom Hiddleston) and Sylvie (Sophia Di Martino) in Marvel Studios' 'Loki' on Disney+.

| CREDIT: CHUCK ZLOTNICK/MARVEL STUDIOS
When we spoke for the first time way back in April, I asked you what was the most insightful thing you learned from talking to Tom about the character, but you couldn't reveal it because it was a spoiler. Is it safe now to share what that was?
I can! I guess it was the thing that came up in episode 4. Tom said that one of the foundations for him was loneliness, that Loki was lonely. That was something that unlocked the character further for me and that we've tried to address there in the show.

The other thing you brought in that conversation was how you and the writers spent a lot of time just mapping out the time travel rules for the TVA and for the show. How many of those rules have actually made it to screen, and what's the most minute or mundane detail that you discussed but didn't make it into the show?
I feel like a lot of them made it to screen in the first episode. The first episode had to do a lot of heavy lifting. I've been pleased with the fact that I don't see a lot of discourse about how people don't understand what the hell is going on, that hopefully it's like, "I got my orientation from Miss Minutes and now I'm in, I'm on the ride, and so I get why Lamentis is a hard place to pull for a nexus event, because it's going to be destroyed." Episode 1 had some leg work to do.

But what is the minute time travel thing? It's just lots of questions about: [In existence], is there just a constant repetition of existences? How many instances of existence are happening at any given time? Is it infinite? Are you and me having this conversation right now and have five seconds prior, and five seconds in the future? Are those happening slightly differently? It was stuff like that, that you talk about for an hour and you're like, "Does this matter? If we're talking about this in the show, I think somebody is going to unplug their television." [Laughs]

Did you land on an answer to that question?
We did. I think that the idea is that time is a thing that's kind of always moving, so it's existence is always happening.

Loki (Tom Hiddleston), Ravonna Renslayer (Gugu Mbatha-Raw), and Sylvie (Sophia Di Martino) in 'Loki.'
| CREDIT: CHUCK ZLOTNICK/MARVEL STUDIOS
The MCU has this tendency to introduce these bureaucratic police forces like S.H.I.E.L.D. and S.W.O.R.D. and then reveal that there's something rotten to their core, which is what we ended up learning about the TVA. Was that thematic throughline on your minds as you were building the TVA?
It's interesting, I don't think we were thinking about it as something that was connected to the broader MCU. I think that's something that we all feel and is a constant theme of great stories: You know, the monolithic organizations telling you that they're looking out for your best interests via unscrupulous measures sometimes are in fact not telling the truth. That's something that resonates with everybody. Nobody trusts the DMV, that's why we wrote this show.

One of my coworkers jokingly wondered if the TVA was comparable to like working at Marvel where you have people just deciding what's canon and what isn't. From your experience, how comparable is that?
[Laughs] I've heard that. While that would be a helluva trick for me to pull — to write a show that's a meta-commentary on the studio you're working for — it honestly couldn't be further from the truth. It is not a soulless bureaucracy at all and Kevin Feige is not a Time Keeper. He's much more like Mobius in that he's a guy that just wants to do the work, get his hands dirty, figure out what's the coolest, best version of this. Marvel is not afraid to mess with their own Sacred Timeline if it makes your project great.

The sixth and final episode of Loki arrives next Wednesday on Disney+.
 
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Day_Carver

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Ya'll ninjas better hurry up & watch this episode
Cause we have a lot to talk about
That shit was just unreal, hot fire like Dylan o_O

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Still haven't figured out who's controlling the tva but I'm assuming it's Kang...
 

CurtDawg

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Still haven't figured out who's controlling the tva but I'm assuming it's Kang...


Same here, I don't follow comics that much
So I didn't even know who Kang was, until after watching a few youtube clips

Seems like everyone is expecting the Kang reveal
So it would be interesting to see if Marvel does the complete opposite, LOL
 

veewee77

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What about Dr. Doom? I’m not a super comic book nerd, but it looked like a castle behind him when Alioth opened up. I’m stretching here, but who knows?
 

blackbull1970

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The last episode was definitely a classic with all the Easter Eggs scattered thru-out it.

We heard the rumors that Kang may debut, if it comes true, this series is gonna blow WandaVision and F&WS out the box for sure.

Looking forward to it and staying out this thread until I have seen the Finale.
 

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Richard E. Grant on alligator whispering and his pitch for a Loki spin-off show

By Devan Coggan
July 12, 2021 at 06:50 PM EDT

Warning: This post contains spoilers for Loki episode 5.
The penultimate episode of Loki introduced several new variations on its titular mischief-maker — including Jack Veal's Kid Loki, Deobia Oparei's Boastful Loki, and Tom Hiddleston's ill-fated President Loki. But of all these new faces, perhaps the most memorable was Richard E. Grant's aptly-named Classic Loki — an older, world-weary version of the Asgardian god we know and love.
Decked out in the familiar green-and-yellow suit from the comics, Grant's Loki is older and perhaps a bit wiser than his younger counterparts. Years of isolation have left him disillusioned and lonely, missing his brother Thor, but that spark of mischief is still buried deep underneath — and he ultimately sacrifices himself to help Loki (Hiddleston) and Sylvie (Sophia Di Martino) escape the Void.

It's a delightful showcase for the 64-year-old Grant, who says he's thrilled to be able to carve out his own chaotic corner of the Marvel Cinematic Universe. Ahead of the series finale this week, EW caught up with Grant to break down his big sacrifice — as well as his newfound friendship with Owen Wilson and his pitch for a Loki spin-off series.
Richard E. Grant as Classic Loki in 'Loki'

| CREDIT: CHUCK ZLOTNICK/MARVEL STUDIOS
ENTERTAINMENT WEEKLY: To start, I have to ask about your costar: How was working with Alligator Loki?

RICHARD E. GRANT:
Alligator Loki was fantastic because in reality, he was three stuffed sofa cushions that had been sewn roughly together to react to. [Laughs] The fact that I was the only person that could understand what he was saying was just fantastic. I think it's the perfect segue into having Classic Old Loki and Alligator Loki as a sub-series to go to next.
So it's safe to say that you would be willing to reprise this character down the line?
If I had a muscle suit, most certainly. I was denied that. I saw the costume design, and I was very familiar with Jack Kirby's original illustrations from the '60s, so I thought, "Ah, this guy's got muscles!" As I had been born without any, I was finally going to get in a muscle suit. I got to Atlanta [to begin filming], and they said, "There's no muscle suit! You're just wearing this!" I said, "But I look like Kermit the Frog!" They said, "Nope, you're not having a muscle suit." So I was very, very upset about that. [Laughs] Short-changed!
I was going to ask about your first impression when you first put on the costume!
That's what I asked: Where are the muscles? Where are the Stallone/Schwarzeneggers here? Because they're missing! This is what people will expect! This was in the costume drawing, and they're not here, and I don't have them! I was very upset.

When they first asked you to join the show, what was that initial pitch like?
I had known Tom Hiddleston socially for some years, and we'd always joked that we could feasibly play father and son because of our vague physical similarities and hairlines, certainly. So when I got this offer at the beginning of last year, before COVID, I thought, "Alright, this is that moment that I had hoped would come at some point." I thought I would play his father, but I'm playing a variant of him. So that's how that came about. I was thrilled.
Tom has been playing his version of Loki for a decade now. Did you get any guidance from him, or have any conversations with him that you found particularly helpful?
He is a walking Loki-pedia, so he was very, very informative about the whole etymology and the history of the Norse gods and Loki. He's also brilliant at imitating people. He goes on chat shows and imitates famous actors absolutely to the letter. I don't have that talent. So when I read the script of episode 5 that I was offered, I saw that [this older version of Loki] described himself in his backstory of being the god of outcasts — rather than the god of mischief, which is so absolutely embedded in Tom's interpretation of the role. So I thought, well, [if he's] the god of outcasts and is somebody who's been isolated for years and living on these planets and is willing to betray himself by going back and being arrested by the TVA and making the ultimate sacrifice, offering himself up to Asgard, I thought, well, this is somebody who is more in the twilight zone of his life, as am I. As opposed to a young man, who's full of mischief still.
So, I thought that was a way into interpreting this character, rather than trying to do — and something I couldn't possibly succeed at doing — a pale imitation of Tom Hiddleston.
I'd imagine that would be tricky, but it would also be a fun challenge: You're basically sharing scenes with all these different versions of the same character.
Exactly right. And I love the fact that he was the one person who could communicate with the alligator. I love that.
So would you now consider yourself fluent in alligator?
Indeed. I am the Doctor Dolittle of the Marvel universe when it comes to speaking to alligators. I speak alligator fluently. Put that in the contract of when I'm doing a series as Classic Old Loki, with muscles and the alligator. It'll have subtitles, so the audience can hear what the alligator is saying, and everyone else is saying, "What is he saying? What is he talking about?" That'll be the way.
I also wanted to ask about your big finale, where we see your Loki conjure Asgard. What do you remember most about filming that final moment?
Huge wind machines, blue screen in every direction, and following a camera on a crane that was maneuvering around the ceiling of the studio, and then swooping down. I was having to shout at it, and then finally laugh in the face of my own immolation. So it was a great thing to do, with these huge air turbine wind machines that were blowing four tons of air at me from every direction. It was exhilarating.
Did you have any practical elements around you at all, or did you have to imagine and conjure it all yourself?
Most of it you had to imagine. The actual landscape that you walked on was real grass and this sort of rocky landscape, but all the other elements — all the ships and all that stuff — was put in afterwards. We didn't see any of that.
The Loki palace that looked like a sort of bowling alley, that was all for real. Everything that you see in that scene was actually built and practical.
Was it chaotic to film in the bowling alley with all those different versions of Loki, bickering and bantering?
Because there was so much action involved, it was paint-dryingly slow, because action takes much longer to do than five pages of dialogue. I prefer talking, as I'm not exactly an action man, as you can see. [Laughs]
Was there anything about joining the Marvel universe that you weren't expecting or that really surprised you?
I didn't expect to find true love with Owen Wilson. We're having a surrogate baby together in October.
Oh, congratulations!
He was just so hilarious to work with. He's just one of the greatest characters I've ever met. He is so open and curious and amenable, with this sort of dry sense of humor. There seemed to be no divide between Owen Wilson acting his part and then just being Owen Wilson. I don't know if he was scamming me, but he was an absolute delight. I loved him.

Was there a particularly memorable day on set with him?
Yes, when we conceived our twins. [Laughs] No, my daughter encouraged me to post this thing on Twitter and Instagram, where he said, "Richard, I'm going to give you some acting advice. Put your camera on." I said, "Yes, okay!" I owe him for that because it got like 640,000 views already in a few days, which on my Instagram feed is off the chart. It's nothing for Beyoncé, but for mine, I'm pretty gobsmacked.
 

CurtDawg

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Only a few more hours to go.....

Possible twist ending ???
Immortus the Kang variant ??? And also the TVA gets wiped out ???
Which leads to total chaos
And leads into the "Dr Strange 2:Multiverse Madness" movie ???




b5d34defc21eb9541228eb036772608e.jpg
 

CurtDawg

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Humm.....very interesting
For the casual fans, this episode was good b/c it introduced the character ****
But for the comic book heads already in the know
Not sure if ya'll are going to like this season ending episode or not?
A lot of dialog, a lot of story telling
A lot of setup for season #2, and setup for the upcoming marvel movies

:dunno: :dunno: :dunno: :dunno:
 

D'Evils

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Humm.....very interesting
For the casual fans, this episode was good b/c it introduced the character ****
But for the comic book heads already in the know
Not sure if ya'll are going to like this season ending episode or not?
A lot of dialog, a lot of story telling
A lot of setup for season #2, and setup for the upcoming marvel movies

:dunno: :dunno: :dunno: :dunno:


I loved it... Disney+ is the perfect medium for the extra dialog and detail storytelling... Leave the big action to the movies....

Im at the point where I'm treating the MCU like I'm reading comics books....

We're basically reading a Marvel Crossover Event: The Multiverse spread out over different comic books....
Loki... WandaVision.... Spider-Man... Dr. Strange ..
 

fonzerrillii

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Everybody is jumping to Doctor Strange Multiverse of Madness when they need to be focused on Spiderman No Way Home.... Which drops December ...

Loki is setting that bad boy up..


This also sets up Scarlett Johansson's Natasha to potential stick around

Would love to see an "Ultimate Marvel" version of Black Widow.... that shit would drive people wild.
 

stizz3000

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I loved it... Disney+ is the perfect medium for the extra dialog and detail storytelling... Leave the big action to the movies....

Im at the point where I'm treating the MCU like I'm reading comics books....

We're basically reading a Marvel Crossover Event: The Multiverse spread out over different comic books....
Loki... WandaVision.... Spider-Man... Dr. Strange ..


Im at that point where I dont even want to talk about it with you if you don't know whats really going on....and thats just about everyone I know except one person....


kinda exhausting attempting to explain
 

D'Evils

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Everybody is jumping to Doctor Strange Multiverse of Madness when they need to be focused on Spiderman No Way Home.... Which drops December ...

Loki is setting that bad boy up..


This also sets up Scarlett Johansson's Natasha to potential stick around

Would love to see an "Ultimate Marvel" version of Black Widow.... that shit would drive people wild.

Don't Forget Eternals and Shang-Chi...

More than likely they will have some Multiverse surprises too....

And with Variants running around along with the Skrull's Secret Invasion....

7y6JWf2vdrm25zkouzyFpeJnMMiBeOMNdxIGmuCRs1PPEsokJp74uICjVjGgRMJNBGfptNfsuiQyWI9MKILWTcX2zYvwTga9A5OykO2MTKfkFEAHRKNby7zfsDu5qvrZzOw
 

dtownsfinest

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dtownsfinest

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Humm.....very interesting
For the casual fans, this episode was good b/c it introduced the character ****
But for the comic book heads already in the know
Not sure if ya'll are going to like this season ending episode or not?
A lot of dialog, a lot of story telling
A lot of setup for season #2, and setup for the upcoming marvel movies

:dunno: :dunno: :dunno: :dunno:

I personally liked it but I'd imagine the casual fans and the comic fans would be let down by this finale...but I don't know a lot of comic fans predicted Kang would be the end villain and probably feel excited they were right about something finally. :lol:
 
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