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Mike Greenberg wants longer interviews, discussions on new ESPN Radio show, now titled ‘Greeny’
"I could see us doing 15, 16, 17 minutes when the circumstances call for it."
ESPNRADIOBy Ian Casselberry on 08/06/2020
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While Mike Golic took his farewell tour during his final shows on ESPN Radio last week, his former partner Mike Greenberg began turning the promotional machinery for his upcoming program on the network’s new audio lineup. (He’s currently making the rounds on several ESPN Radio affiliates, such as the “Big Drew & Jim” show in West Michigan.)
Speaking to Variety‘s Brian Steinberg, Greenberg revealed that his new ESPN Radio show will be titled “Greeny,” rather than “The Mike Greenberg Show” which was perceived as too formal for the type of program being developed.

Above all, Greenberg wants his radio program to have a slower pace than Get Up, ESPN’s morning television show that he’s hosted since its debut in 2018. That show is geared toward hot takes and quick sound bites (which we regularly post on Awful Announcing’s Twitter account), rather than in-depth discussion.


“The average interview on my show in the morning is – a long interview for us is six or seven minutes,” Greenberg told Variety. “On the radio, I could see us doing 15, 16, 17 minutes when the circumstances call for it.”
Listeners probably shouldn’t expect that for every conversation, however. And affiliate radio stations concerned with getting to their commercial breaks likely wouldn’t be thrilled with longer-form interviews every time out. But according to Greenberg, certain guests and special circumstances might warrant a longer interview, and he doesn’t want to miss out on those opportunities.
With Golic’s departure from radio, many listeners and fans remembered that the enormously successful Mike & Mike ended when Greenberg wanted to move on to Get Up. (His new radio show is presumably another venture that he envisioned doing without Golic as a partner.) Golic himself alluded to that in a podcast interview with Sarah Spain.



“Greeny wanted to go do something else, and that’s all been well-documented,” said Golic. “I wish he’d have come to me and kind of was a little more upfront about it. But that’s obviously in the past.”
Greenberg seemed to keep a distance from the well-wishers who were celebrating Golic’s 22 years on ESPN Radio, which included his 17-year Mike & Mike run. (And Golic’s wife revealed that ESPN passed on an attempt to reunite for a revival.) But he did eventually post his own tribute to his former radio partner on television two days before Golic’s final show.




What Greenberg doesn’t want to do is repeat Mike & Mike, which is one reason why he favors longer discussions and interviews with a variety of contributors and guests for his new program.
Yet that sounds more like a podcast than a radio show. Podcasts break up conversations for ad breaks as well, but listeners are consuming the content on-demand, rather than tuning in when they get into the car or stream audio through their phone or computer. Someone new is always joining the program, which is why you hear so many resets or repeated topics on radio.
Greeny will debut Aug. 17 along with the rest of ESPN Radio’s revamped lineup, beginning with a new morning show featuring Keyshawn Johnson, Jay Williams, and Zubin Mehenti. Also among the new additions, Max Kellerman will host a show following Greenberg’s. And Mike Golic Jr. will join Chiney Ogwumike for a program that will run in afternoon drive-time in many markets.
 

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NFL Network would be wise to pick him up...

It's going to be fucking weird as shit to not see Trey on an ESPN NFL show.
 

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NFL Network would be wise to pick him up...

It's going to be fucking weird as shit to not see Trey on an ESPN NFL show.
It's amazing that this guy wanted off the radio show, well now he's off. :dunno:


Wingo, 56, began his career with ESPN in 1997. Wingo most recently co-headlined “Golic & Wingo” on ESPN radio, but asked off the show due to its early hours. Wingo’s co-host, Mike Golic Jr., will move on to host a new ESPN show.
 

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Well it's official


NFL Network would be wise to pick him up...

It's going to be fucking weird as shit to not see Trey on an ESPN NFL show.
It's amazing that this guy wanted off the radio show, well now he's off. :dunno:


Wait WTF?!?!?!

I cannot believe ESPN would let him go!

NFL Network got a REAL one too.

man oh man... this is NOT the ESPN I grew up with
 

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CHICAGO RADIO HOSTFIRED FROM JOBAfter Sexist Comments About Maria Taylor

9/15/2020 12:03 PM PT
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BREAKING NEWS
11:59 AM PT -- The Score is washing its hands of Dan McNeil after his tweet about Maria Taylor ... announcing he's been fired from the station effective immediately.
"For each one of us our words have power," Rachel Williamson, Entercom Chicago regional resident told Julie DiCaro. "For our brand and on-air personalities that is amplified and brings increased responsibility in how we chose to use our voices."
"Last night's tweet, and its degrading and humiliating tone to a fellow female broadcaster, was unacceptable."
Williamson continued ... "We have the best teams in Chicago, and we must hold ourselves to high expectations to continue to be leaders in our organization, our industry and our community."
"We apologize to all who were offended by Dan's words, especially Maria."
ESPN's Maria Taylor made her "Monday Night Football" debut this week ... and celebrated the milestone by bodying radio hosts who made sexist comments about her wardrobe on Twitter.
Dan McNeil of Chicago's 670 The Score, thought it was his place to criticize Taylor's outfit during last night's 'MNF' broadcast ... tweeting out, "NFL sideline reporter or a host for the [Adult Video News] annual awards presentation?"



The tweet -- which rightfully received a ton of backlash -- stayed live on McNeil's account for roughly 30 minutes before he deleted it, according to Awful Announcing.

Taylor fired back at McNeil late Monday night ... saying, "Well Danny Dearest if you would like to continue making sexist comments about me...please bring your misogyny with you to the NBA Countdown double header I’ll be hosting tomorrow night."

"Hey ladies remember you can wear whatever you feel confident in!"

Other big names have shown support for Taylor, including fellow reporter Taylor Rooks -- "Always ride with @MariaTaylor - I love you my sister. Keep being GREAT. These haters could never."

Saints star Malcolm Jenkins added ... "Exactly the reason why we’re focusing on building up black women this season. @MariaTaylor congratulations on such a big accomplishment! Keep leveling up."

So far, McNeil hasn't apologized for his comment and The Score has not addressed the issue ... but it's only a matter of time.

 

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Mike Golic says he's not retiring even after ESPN contract ends


Charles Curtis

August 17, 2020 9:38 am
The new ESPN Radio lineup has officially kicked off on Monday, with Keyshawn, Jay and Zubin starting their new morning show that replaced Golic & Wingo.
Even though Mike Golic could sleep in on Monday, he spent the morning tweeting as various people reached out, many of whom saying they missed hearing his voice after over two decades in the national timeslot.
And he’s telling the world that even when his ESPN contract is up at the end of the year, retirement isn’t happening.
First, he classily wished Keyshawn Johnson, Jay Williams and Zubin Mehenti luck on their first morning on the air:









 

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‘Monday Night Football’ is More Than a Game for Disney in NFL Rights Scramble

By Brian Steinberg

7
Al Powers / Courtesy of ESPN
In a crucial moment for any TV network that wants to stay in the business of broadcasting NFL football games, ESPN this evening is calling in some big guns.
Before kickoff on tonight’s “Monday Night Football,” the sports-media giant will feature an opening segment designed with help from colleagues at Disney sibling Marvel. The montage looks similar to the opening of one of the studio’s super-hero blockbusters. Viewers will hear narration from Samuel L. Jackson, the actor who plays Nick Fury and has enjoyed a continuing presence in Marvel’s popular films. They will see players from tonight’s game between the Kansas City Chiefs and the Baltimore Ravens depicted as if they were superheroes from one of Marvel’s colorful comic books. And then they will hear “Heavy Action,” the theme that has been have been an audio hallmark of the program since its tenure on ABC.


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Superheroes can only help.
Each “Monday Night Football’ broadcast this season takes place as the NFL and the TV networks that air its games are holding critical negotiations about rights contracts that, if they aren’t renewed, could determine nothing less than the fate of traditional TV itself. To be sure, networks make tweaks and improvements to regular programs all the time, but this season, any changes to gridiron TV take place under a new and intense spotlight. “We are obviously interested in bringing the full power of the Walt Disney Company into the conversation we are having with the NFL,” says Burke Magnus, ESPN’s executive vice president of programming, acquisitions, and scheduling, in an interview.
ESPN makes its case to the league as the network continues to rebuild its “MNF” on air team. For years, ESPN viewers knew they’d be greeted by Jon Gruden or Mike Tirico. The former left in 2018 to coach the Raiders, while Tirico decamped to NBC Sports in 2016. In their place, the network has tried Joe Tessitore, Booger McFarland and Jason Witten, while not-so-quietly reaching out to eye-popping candidates like Peyton Manning (not interested at the moment) and Tony Romo (his salary requirements were too high for Disney).
“You have to have a group that has chemistry together. It’s a tall order,” particularly when new teams are critiqued instantly on social media when they are trying to find ways to gel, says Stephanie Druley, ESPN’s executive vice president of event and studio production, in an interview. “That’s our goal, and look, we have felt like we’ve progressed each year.”
The new “MNF” team of Steve Levy, Brian Griese, Louis Riddick (above, pictured) and veteran sideline reporter Lisa Salters is focused less on football rights and more on football games – even though they face challenges sparked by broadcasting live sports in the midst of global pandemic. “There are people who are in charge of these kinds of things, who will handle these things at Disney and at ESPN. That’s what they do,” says Riddick, the former NFL safety, in an interview on Saturday. “What we are in charge of is making sure we display a high quality of professionalism and talking about the game – informing people, educating people, entertaining people.”



ESPN faces more pressure than some of its rivals. Its rights contract with the NFL lapses after the 2021 season, while deals between the league and NBC, Fox and CBS end after 2022. There is speculation that the NFL and the networks could unveil new terms as soon as November. “The conversations are still at a relatively early stage, but are sort of moving along nicely,” Fox Corporation CEO Lachlan Murdoch recently said during a recent investor conference. “The NFL has asked all the broadcasters to think about every package and think about how would we monetize packages that we currently have, or other packages, differently.”
People familiar with parts of the negotiations expect Disney to be ambitious and aggressive. Some discussions have considered the idea of whether Disney might move a property like “Monday Night Football” to ABC and even gain a new chance to become part of the rotation of the Super Bowl broadcast already enjoyed by its competitors, according to two people familiar with some of the discussions. Some executives would not be surprised to see Disney even make a bid for NBC’s “Sunday Night Football,” according to one of these people.
“There is speculation coming from everyone but us,” says Magnus, who declined to comment on any of the scenarios.
Billions of dollars are at stake. The average cost of a 30-second ad on “Monday Night Football” last season came to nearly $277,605, according to Standard Media Index, a tracker of ad spending. ESPN is believed to be spending around $1.9 billon a year for NFL rights – a figure most expect to swell under the terms of a new contract. The talks will no doubt involve back-and-forth over what the networks should get in exchange for rising fees, and how they can help the NFL reach new audiences amid a media landscape that is splintering around new types of viewing behaviors and technology.
Every Monday night, Disney offers up a new statement about what it can do with a football property. Last week, ESPN put together a “mega-cast” for “MNF,” with the game broadcast on ESPN and ABC while a bevy of popular guests like Charles Barkley and Peyton Manning held forth on ESPN2. “We sort of wanted it to feel like a Zoom pop-in,” says Druley. ”We have the bandwidth and platforms to put up different types of broadcasts. You can really experiment and see what you like, what the fans like.”
Rivals are trying to show off as well. ViacomCBS intends to air an NFL broadcast later this season on Nickelodeon, in a bid to spark new interest in the sport from some of TV’s youngest audiences, and agreed to a massive $17 million per year contract to keep Tony Romo from going elsewhere. NBC has added new high-tech camera technology to “Sunday Night Football,” and is giving Tirico some temporary Sunday announcing duties to help Al Michaels cut back on travel in the midst of the coronavirus pandemic.
ESPN has had to do a lot in recent years to convince the NFL of its intentions. Executives freely acknowledge the network’s relationship with the league had deteriorated. The quality of “MNF” match-ups was not the best, and ESPN may have been distracted by the ratings performance of other leagues like the NBA. ESPN regularly creates new programs and formats for other leagues, too, but under Jimmy Pitaro, who was named ESPN’s president in 2018, the network has worked on a “resetting” with the NFL, says Magnus, and placed new emphasis on many aspects of how it showcases the league.
After being forced to share coverage of the NFL Draft with Fox in 2018 – an emotional blow to many longtime ESPN employees – ESPN pushed back: Its 2019 broadcast of the event from Nashville involved a separate, glitzier production tailored for ABC. ESPN’s 2020 Draft, a massive virtual undertaking in pandemic-torn 2020, offered relief to fans whose sports were scuttled by coronavirus. The studio show “NFL Live” got a new lead host, Laura Rutledge, in 2020, along with a new analyst Mina Kimes. ESPN’s morning program, “Get Up,” has kept a steady NFL focus since a retooling of the program in its first year on air.
“The working relationship with the NFL is much better today than it was a couple of years ago,” says Magnus. “We finally made the NFL the priority that they should have been, and we are doing fun things, doing creative things to reach different audiences and grow different audiences.”
TV executives know that in an era when more viewers are migrating to streaming-video favorites, a programming schedule without a robust NFL component is a doomsday scenario. “It really fuels conversations and content for us year-round, and so, yeah, it’s critically important,” says Magnus. “It’s central to our offering.”
The new “MNF” trio isn’t coming in cold. Levy, who has been at ESPN for nearly three decades, and Griese, a former NFL quarterback, have called college games together. And the three worked on a “MNF” game last season. But they all acknowledge they have come together at an unusual time. Announcers and crew can’t hold meetings in person. There are more restrictions when it comes to visiting teams. “There are even smaller things,” explains Levy. “The three of us can’t go to the game together. We need to go there in separate cars.”



The announcers believe their job is to call attention to the game, not themselves. “We are going to cover the game and document how the game is won and all of the storylines that go with it, but we also want to have some fun,” says Griese. “Remember, this is entertainment.”
It certainly is for fans at home. But for Walt Disney, ESPN and the NFL,”Monday Night Football” will be something quite different until a new contract is signed.
 

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Wingo's contract with ESPN expired and wasn't renewed by ESPN. It's part of ESPN's cost-cutting efforts, which included massive layoffs a few weeks ago. Wingo's exit wasn't a surprise, however. Andrew Marchand reported in September that Wingo was being let go by ESPN after he expressed a desire to get off morning radio (he hosted “Golic & Wingo” for ESPN Radio) and ESPN couldn't find a place for their long-time NFL lead. Two months later and it became official.
 

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Wingo officially is out after long run at ESPN
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Trey Wingo works from the set during ESPN's coverage of the 2019 NFL draft in Nashville, Tenn. (Allen Kee, ESPN Images)



Dan Caesar
ESPN finally made what has been know for months official this week, when vice president Seth Markman bid adieu to Trey Wingo.
“I can barely remember a day which didn’t involve working side by side with this guy,” Markman tweeted Wednesday. “(Wingo) has been an incredible teammate & friend for more than 2 decades. On today, his last day at ESPN, I along with many others, salute him and wish him all the best in his next chapter.”
Whatever is next for Wingo, 57, will follow his standout 23-year run at ESPN that began in 1997 when he came aboard following a six-year stint in St. Louis as a sportscaster for KSDK (Channel 5).

He was hired to be an anchor on ESPNews, definitely secondary to ESPN, but knew it was a path to the main network.
“I hope I don’t have to be a towel boy too long,” he said when he was hired.
He wiped that away in a hurry and over the years filled many prominent roles, including being a feature “SportsCenter” host and anchoring numerous NFL shows — most notably the NFL draft — as well as co-hosting the early morning “Golic and Wingo” show, with Mike Golic, for nearly three years. Wingo has been out of the limelight since “Golic and Wingo” was canceled in July.

ESPN later announced it is laying off 300 people company-wide, and not filling 200 other open positions, because of a financial crunch cased by the coronavirus pandemic.



Wingo has said little publicly about his situation, or his unceremonious exit, as he has been classy. On Twitter he did acknowledge Markman’s remarks, saying that nobody “could ever ask for a better boss. . . . I hope that everyone at some point gets as lucky as I was to have him as a boss, mentor, confidant and friend. And for that I am eternally grateful.”
 

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it was only a matter of time
question is where does he land

does he do something exclusive with Spotify? or try to build his own kingdom like the Ringer? will all his crew go with him?
only time will tell

even though i aint listen to regularly loved his work, enjoyed the fact he took tough stances and he felt comfortable making other ppl (including his bosses uncomfortable).

when its all said and done ESPN is succeeding in making the faces of their brand as inoffensive as possible. I am watching alot of Get Up now and i think ESPN would love to have all their on air talent more like Greeny than Dan, Bomani, Jemelle, etc.
 

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this HAD to happen

long time coming

I am a little surprised the board NEVER really gravitated toward him

He always gonna get my respect because he always supported the Black athlete, called out the hypocrisy in ALL sports journalism

EVEN ESPN

and he gave Bomani a platform and I also think the green light to be as FEARLESS as Bomani mostly is.

He supported Black causes

went at these white sports talking heads DIRECTLY

he was VERY different

very smart

VERY funny

the only person I felt could have taken that PTI seat.

I aint WORRIED about him cause I saw how Jemele THRIVED

and Dan need to just FOLLOW that blueprint.
 
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